Cet ultime hommage à tous les cinéastes indépendants se déroule lors d'une journée de tournage d'un film sans budget.Cet ultime hommage à tous les cinéastes indépendants se déroule lors d'une journée de tournage d'un film sans budget.Cet ultime hommage à tous les cinéastes indépendants se déroule lors d'une journée de tournage d'un film sans budget.
- Prix
- 7 victoires et 8 nominations au total
- Chad Palomino
- (as James LeGros)
Histoire
Le saviez-vous
- AnecdotesDirector Tom DiCillo didn't want to beg people for money to make this film, so he asked his actors if they would work for free. All of them agreed and most of them even put up money themselves. Eventually anybody who contributed a few dollars got a part in the movie.
- GaffesWhen the gaffer talks about his private film project, the script on the bed flips between shots.
- Citations
[Little person Tito is not happy with the dream sequence]
Tito: Why does my character have to be a dwarf?
Nick: He doesn't have to be.
Tito: Then why is he? Is that the only way you can make this a dream, to put a dwarf in it?
Nick: No, Tito, I...
Tito: Have you ever had a dream with a dwarf in it? Do you know anyone who's had a dream with a dwarf in it? No! I don't even have dreams with dwarves in them. The only place I've seen dwarves in dreams is in stupid movies like this! "Oh make it weird, put a dwarf in it!". Everyone will go "Woah, this must be a fuckin' dream, there's a fuckin' dwarf in it!". Well I'm sick of it! You can take this dream sequence and stick it up your ass!
- Générique farfelustatement after the end credits: The characters and incidents portrayed and the names herein are sort of fictitious, and any similarity to the name, character or history of any person is sort of coincidental and unintentional.
This movie was shown to me on the first day of film school. I don't know if they were being ironic or simply warning us for what would come in the next two weeks, but as a director who would then go on and direct my own film over those two weeks, this movie is painfully accurate and very hilarious.
When I first went into this movie, I thought it was some sentimental thing about the art of making a movie and the spiritual journey your soul goes on or whatever. But it's not. Again, this movie speaks to me, and is just so funny, just because of the way that it's relatable. I would definitely recommend all aspiring filmmakers to see this one, partially because it is demonstrative of the often-hilarious Murphy's Law-esque antics that happen on film sets.
You know a film is good when you have a theatre full of film students laughing their heads off every ten seconds. And that was exactly what was happening. This was actually the first movie I saw back in the theatre after an almost-2-year-long pandemic-related hiatus, and it really was genuinely a great film to see on the big screen.
The movie has a really unmistakable style, with a lot of clever colour-to-black-and-white switches to signify the difference between the film world and the real world which I really enjoyed. On top of all of that, everyone delivered excellent performances which elevated the comedy of it all even further.
One of the best comedies out there, and a must-see for indie filmmakers. Thank you MFI '21!
-Sasha.
- lostonthehighway
- 28 juill. 2021
- Lien permanent
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Détails
Box-office
- Budget
- 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 111 790 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 47 965 $ US
- 16 juill. 1995
- Brut – à l'échelle mondiale
- 1 111 790 $ US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1