The Girls on F Street

1966
R
1h 9m

ÉVALUATION IMDb

4,8/10

373

MA NOTE

Adventure Drama Thriller

Ajouter une intrigue dans votre langueA pathetic Joe (Nick Nickerson) pays a bitter prostitute, Margo (Althea Curier) to have sex with him, and is abused endlessly. A woman sculptor and her live model try to suppress their lesbi... Tout lireA pathetic Joe (Nick Nickerson) pays a bitter prostitute, Margo (Althea Curier) to have sex with him, and is abused endlessly. A woman sculptor and her live model try to suppress their lesbian longings for each other. Lonely, bespectacled middle-aged Nick (Ken McCormick) goes to ... Tout lireA pathetic Joe (Nick Nickerson) pays a bitter prostitute, Margo (Althea Curier) to have sex with him, and is abused endlessly. A woman sculptor and her live model try to suppress their lesbian longings for each other. Lonely, bespectacled middle-aged Nick (Ken McCormick) goes to the House of Fetish - the local brothel - after watching a buxom stripper (Eve St. Pierre)... Tout lire

Director
- Saul Resnick
Stars

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

4,8/10

373

MA NOTE

Director
- Saul Resnick
Stars

Voir l’information sur la production à IMDbPro

Photos19

+ 14

Plus de résultats de ce genre

Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
A card in the opening credits reads, "from the screenplay The Degenerates". However, there is no indication of its author, nor is it a known title of a published work.

Connexions
Featured in American Grindhouse (2010)

Commentaires des utilisateurs6

Commentaire

Commentaire en vedette

3/10

Fast-Forward Fodder.

Made is the mid-1960s, set in the 1920s, with some highly melodramatic acting/narration/score that would seem more at home in an era somewhere in between. All the lurid, interesting or comedic bits could be distilled into a 10 minute clip cut. While there are certainly some tempting 'maidens' the likes of which you'd never see in a contemporary erotic film (hard, soft or premium cable), and some high-quality black & white cinematography that often seems more contemporary than 1966, the lack of any coherent plot or even theme uniting the vignettes makes for one VERY long hour. Overall, MUCH less fun than contemporary Russ Meyer's productions.