Ajouter une intrigue dans votre langueA male prostitute's sleazy and violent lifestyle leads to ruin.A male prostitute's sleazy and violent lifestyle leads to ruin.A male prostitute's sleazy and violent lifestyle leads to ruin.
Photos
Jackie Richards
- Helen the Housewife
- (as Lee Taylor)
Yolanda Signorelli
- Sara Dite
- (as Stephenie Collins)
Rita Bennett
- Rita
- (as Rita A. Bennett)
Histoire
Le saviez-vous
- AnecdotesDue to budget reasons, the film was shot at director Doris Wishman's apartment.
- Citations
Mike Torson: How am I doing with you? Hm?
Sara Dite: You know how you're doing. You're irresistible... .And I never say anything I don't mean.
- ConnexionsFeatured in American Grindhouse (2010)
Commentaire en vedette
A peek into the life of a very sleazy man: Mike Torson. He is a male prostitute and above all a blackmailer. He has one goal in his life: to own a Park Avenue apartment. And he has no scruples getting there.
This is an exception in Doris Wishman's oeuvre, for it does not concentrate on women, but has a male lead: Buck Starr. He did appear in three other Wishman movies, but is otherwise unknown. In his only leading role he portraits Torson quite well, actually. But Torson himself is such a vain creep, you never feel a bond with him. And neither with mister Starr for that matter.
Other ingredients of Doris Wishman's work are still there: lots of half naked women, close ups of feet and legs, sleazy acting, failing continuity, ill fitting musical scores. The sex is like it still is in modern television. The actors either keep their underwear on, or make love fully covered by a blanket. The only thing that works in this movie is the film noir atmosphere, but that alone does not make up for all the faults and B-features.
Both Buck Starr and Mike Torson made me feel uneasy. That is a good thing by itself, but it doesn't change. After half an hour one still feels unsettled and then it becomes quite boring actually. Torson really has nothing positive about him and that makes him a robot, inhumane. So the viewer can't really relate to him. And that means sooner or later you have had it with the man.
Interesting effort to combine film noir with sexploitation, but it failed, hopelessly.
For me a 4 out of ten, because of the first part of the movie, when you are still fascinated by what's going on.
This is an exception in Doris Wishman's oeuvre, for it does not concentrate on women, but has a male lead: Buck Starr. He did appear in three other Wishman movies, but is otherwise unknown. In his only leading role he portraits Torson quite well, actually. But Torson himself is such a vain creep, you never feel a bond with him. And neither with mister Starr for that matter.
Other ingredients of Doris Wishman's work are still there: lots of half naked women, close ups of feet and legs, sleazy acting, failing continuity, ill fitting musical scores. The sex is like it still is in modern television. The actors either keep their underwear on, or make love fully covered by a blanket. The only thing that works in this movie is the film noir atmosphere, but that alone does not make up for all the faults and B-features.
Both Buck Starr and Mike Torson made me feel uneasy. That is a good thing by itself, but it doesn't change. After half an hour one still feels unsettled and then it becomes quite boring actually. Torson really has nothing positive about him and that makes him a robot, inhumane. So the viewer can't really relate to him. And that means sooner or later you have had it with the man.
Interesting effort to combine film noir with sexploitation, but it failed, hopelessly.
For me a 4 out of ten, because of the first part of the movie, when you are still fascinated by what's going on.
- Hans-56
- 5 oct. 2010
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Too... Much Too... Often!
- Lieux de tournage
- Trinity Place and entrance to Brooklyn Battery Tunnel, Manhattan, Ville de New York, New York, États-Unis(view outside Mike's--Doris Wishman's--fancy apartment window Sarah calls "Exciting!")
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 12 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Too Much Too Often! (1968) officially released in Canada in English?
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