Dans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste b... Tout lireDans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste beatnik.Dans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste beatnik.
- A remporté le prix 1 BAFTA Award
- 20 victoires et 18 nominations au total
Eli Marienthal
- Hogarth Hughes
- (voice)
Jennifer Aniston
- Annie Hughes
- (voice)
Vin Diesel
- The Iron Giant
- (voice)
James Gammon
- Foreman Marv Loach
- (voice)
- …
Cloris Leachman
- Mrs. Tensedge
- (voice)
John Mahoney
- General Rogard
- (voice)
M. Emmet Walsh
- Earl Stutz
- (voice)
Jack Angel
- Additional Voices
- (voice)
Bob Bergen
- Additional Voices
- (voice)
- (as Robert Bergen)
Devon Cole Borisoff
- Additional Voices
- (voice)
- (as Devon Borisoff)
Histoire
Le saviez-vous
- GaffesAt the beginning of the film, Sputnik is shown orbiting from East to West. All non-polar orbits of satellites run West to East, in order to take advantage of the Earth's rotation.
- Citations
[as the Giant flies toward the missle]
Hogarth Hughes: [in the Giant's mind] You are who you choose to be.
The Iron Giant: Superman.
- Générique farfeluThe Warner Brothers logo is done in 50's art deco, as the Sputnik signal is heard.
- Autres versionsTwo added scenes overseen by Brad Bird were animated for the theatrical release of The Iron Giant: Signature Edition.
- ConnexionsEdited into The Making of 'The Iron Giant' (1999)
- Bandes originalesHoneycomb
Written by Bob Merrill
Performed by Jimmie Rodgers
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products
Commentaire en vedette
"The Iron Giant" is the kind of animated film you wish there was more of. It respects the audience's intelligence, it has genuine emotion without resorting to schmaltz, and best of all it balances fantasy (well, science fiction) with believability. I think Warner Brothers animation has out-Disneyed Disney by adding thoughtful writing to clean, understated animation. What a concept!
The story is deceptively simple: Iron Giant falls from the sky at the dawn of the Space Race and befriends a young boy. But within that framework we get a double story, one for the grown ups and one for the kids, but the message is essentially the same one: paranoia and violence begets violence. I appreciate very much, as others who have commented, that no one burst into incongruous song and that there were no cutesy animal sidekicks. I should add that there were no clever yet implausible plot twists, nor were there any stock characters. The bad guy gets a little overheated, true, but he is never the embodiment of all things evil. The townspeople are your average small town Americans, not bumpkins. Mom is, well, mom-ish, caring but neither shrewish nor prone to whimpering outbursts. And our hero is plucky but not annoyingly precocious.
A BIG plus for this film is how well it weds the computer animation to the hand-drawn animation, a feat that the Big Mouse hasn't mastered yet. Even as recently as "Tarzan" it is glaringly apparent what parts are computer graphics and which aren't, and the contrast is very distracting. "The Iron Giant" makes a virtue of streamlined animation that draws your eye to the beauty of its color and motion.
It was a very VERY distinct and unusual pleasure to be treated to a film such as this. Give us more . . . please!
The story is deceptively simple: Iron Giant falls from the sky at the dawn of the Space Race and befriends a young boy. But within that framework we get a double story, one for the grown ups and one for the kids, but the message is essentially the same one: paranoia and violence begets violence. I appreciate very much, as others who have commented, that no one burst into incongruous song and that there were no cutesy animal sidekicks. I should add that there were no clever yet implausible plot twists, nor were there any stock characters. The bad guy gets a little overheated, true, but he is never the embodiment of all things evil. The townspeople are your average small town Americans, not bumpkins. Mom is, well, mom-ish, caring but neither shrewish nor prone to whimpering outbursts. And our hero is plucky but not annoyingly precocious.
A BIG plus for this film is how well it weds the computer animation to the hand-drawn animation, a feat that the Big Mouse hasn't mastered yet. Even as recently as "Tarzan" it is glaringly apparent what parts are computer graphics and which aren't, and the contrast is very distracting. "The Iron Giant" makes a virtue of streamlined animation that draws your eye to the beauty of its color and motion.
It was a very VERY distinct and unusual pleasure to be treated to a film such as this. Give us more . . . please!
- Gouda-3
- 10 août 1999
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Iron Giant
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 23 315 035 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 732 614 $ US
- 8 août 1999
- Brut – à l'échelle mondiale
- 23 338 352 $ US
- Durée1 heure 26 minutes
- Mixage
- Rapport de forme
- 2.39 : 1
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