Dans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste b... Tout lireDans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste beatnik.Dans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste beatnik.
- Réalisation
- Scénaristes
- Vedettes
- A remporté le prix 1 BAFTA Award
- 20 victoires et 18 nominations au total
Eli Marienthal
- Hogarth Hughes
- (voice)
Jennifer Aniston
- Annie Hughes
- (voice)
Vin Diesel
- The Iron Giant
- (voice)
James Gammon
- Foreman Marv Loach
- (voice)
- …
Cloris Leachman
- Mrs. Tensedge
- (voice)
John Mahoney
- General Rogard
- (voice)
M. Emmet Walsh
- Earl Stutz
- (voice)
Bob Bergen
- Additional Voices
- (as Robert Bergen)
Devon Cole Borisoff
- Additional Voices
- (as Devon Borisoff)
8,1253.5K
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Sommaire
Reviewers say 'The Iron Giant' is acclaimed for its heartfelt narrative, exploring friendship, acceptance, and choice. Its Cold War paranoia and anti-war themes resonate deeply. The blend of traditional and CGI animation is lauded for its beauty and emotional impact. Vin Diesel's voice performance as the Giant is particularly praised. The film successfully appeals to both children and adults, offering mature themes and moral lessons, solidifying its status as a timeless classic.
Avis en vedette
What more animated movie should be: a thoughtful, funny, touching story.
After seeing this movie, I was overcome by a strange feeling. I realized that I had found a treasure where I had least expected it. The Iron Giant is intelligent, funny, touching, and visually superb, and should show the world that an animated movie does not need to be A) computer-animated, or B) based on a fairy tale to be successful. One of the best American-made children's movies I have seen in a decade: 8.5/10.0
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
10Figaro-6
The Best of Two Worlds: Adult and Kid
All too often, "family films" are only infantile, simplistic formulas with a few self-referential and pop-culture jokes thrown in to try and keep adults awake. But then along comes something like "The Iron Giant", which is sophisticated enough to demand respect while maintaining a mythic and pure-hearted tone that actually does appeal to the kid in everybody.
"The Iron Giant" is refreshingly non-Disney in no end of ways. Characters seem real and chosen to fit the story, instead of being a superficial reshuffling of an old formula. The animation definitely has its eye-popping moments, but there are also scenes of great wonderment, pathos, and humour that only top-drawer animation can convey. The Giant itself is a great character, who only becomes MORE interesting as the film continues (another huge break from Disney). No scene is wasted in this film, either; every set piece, even the really funny ones, helps either to establish the "world" of the movie, or to advance the plot. At no time do you feel that you are merely waiting for the story to crank up again.
"The Iron Giant" is funny, exhilarating, and touching as well. It's sad to see it failing at the box office, as a blunt reminder that the success of films is often in direct proportion to their publicity budget. Hopefully, though, word-of-mouth will come to its rescue. Go see it! Tell your friends! Then go again! (Repeat as necessary.)
P.S. I find myself comparing the Iron Giant character to Martin Donovan's character in "Amateur". If there is anyone else on earth who has seen both films you may wish to entertain the notion yourself.
"The Iron Giant" is refreshingly non-Disney in no end of ways. Characters seem real and chosen to fit the story, instead of being a superficial reshuffling of an old formula. The animation definitely has its eye-popping moments, but there are also scenes of great wonderment, pathos, and humour that only top-drawer animation can convey. The Giant itself is a great character, who only becomes MORE interesting as the film continues (another huge break from Disney). No scene is wasted in this film, either; every set piece, even the really funny ones, helps either to establish the "world" of the movie, or to advance the plot. At no time do you feel that you are merely waiting for the story to crank up again.
"The Iron Giant" is funny, exhilarating, and touching as well. It's sad to see it failing at the box office, as a blunt reminder that the success of films is often in direct proportion to their publicity budget. Hopefully, though, word-of-mouth will come to its rescue. Go see it! Tell your friends! Then go again! (Repeat as necessary.)
P.S. I find myself comparing the Iron Giant character to Martin Donovan's character in "Amateur". If there is anyone else on earth who has seen both films you may wish to entertain the notion yourself.
Much More Than a Cartoon
Sometimes when watching an animated feature, I spend my time saying, "What great animation." When this happens, I wonder if I am doing what the producers wanted me to do. Like so many things, should I be so enamored with the technical part of the movie that I am distracted from the content. As I watched "The Iron Giant" I realized I had forgotten it was an animated feature. Don't get me wrong. I knew the enormous title character was animated, but the relationships among the characters and the intelligence of the script caused me to forget that these weren't actors. The movie is filled with tender moments, especially as they relate to our feelings of our own mortality. What I enjoyed is that the grownups aren't treated as garden variety bad guys. Even the military, which is nearly always portrayed as evil, finds itself in a contradictory position--having to go on faith. The animation is wonderful, but so are the "performances." No spoilers here, but I think the ending is a lovely tribute to the spirit of the life force in all of us--even those of us not made of metal. See this. It is one of the better movies of the year.
Guns kill.
An ambitious take on Ted Hughes' 1968 children's book The Iron Man, director Brad Bird's The Iron Giant works well as both archetype-infused allegory and heartstring-tugging tale of friendship. Set in small town Maine in the 1950s at the height of Cold War paranoia, the film explores the relationship between a lonely, fatherless boy (a photo on a nightstand hints that the father was a combat pilot killed in WWII) and a monstrously huge, hulking metal behemoth (the origins of which are brilliantly left to the imagination). The animation marks a welcome contrast from the virtually ubiquitous Disney template, with the human characters bearing a stylized, comic book exaggeration that fits perfectly with the story material. The Iron Giant has more than enough imagination and sparkle to interest kids and adults, and nicely balances its action-adventure aspirations with a solidly-crafted sense of moral purpose.
10Wizard-8
YES!!!!! NO SONG OR DANCE NUMBERS!!!!!!
What a GREAT movie! Not just for kids, but adults as well. Kids will love it on one level, and adults will love it on another level. Even adults who are not parents will love it!
There's humor, there's action, there's nostalgia, there's the perfect capture of being a child, there are positive messages (be yourself, don't kill, etc.), there's satire, there are adults who are not stupid and not comic relief....there's GREAT WRITING!
AND NO SONG AND DANCE NUMBERS! Also, there are NO COMIC-RELIEF ANIMAL SIDEKICKS! Take that, Disney!
I know some people might be resisting this movie, because it looks like it's aimed for kids - and they might be expecting a Disney clone (and we all know the bad results of Disney wannabes).....but TRUST ME. Give this movie a chance - you'll love it!
Is there ANYTHING wrong with it? Well, the only thing that bugged me (just a little) were some close-ups of the characters - these certain close-ups had a "sketchy" look a la the movies "We're Back!" and "Balto".
Fortunately, there's very little of this. Other than that - this is a PERFECT MOVIE!
There's humor, there's action, there's nostalgia, there's the perfect capture of being a child, there are positive messages (be yourself, don't kill, etc.), there's satire, there are adults who are not stupid and not comic relief....there's GREAT WRITING!
AND NO SONG AND DANCE NUMBERS! Also, there are NO COMIC-RELIEF ANIMAL SIDEKICKS! Take that, Disney!
I know some people might be resisting this movie, because it looks like it's aimed for kids - and they might be expecting a Disney clone (and we all know the bad results of Disney wannabes).....but TRUST ME. Give this movie a chance - you'll love it!
Is there ANYTHING wrong with it? Well, the only thing that bugged me (just a little) were some close-ups of the characters - these certain close-ups had a "sketchy" look a la the movies "We're Back!" and "Balto".
Fortunately, there's very little of this. Other than that - this is a PERFECT MOVIE!
Le saviez-vous
- GaffesAt the beginning, Sputnik is shown orbiting from East to West. Most non-polar orbits of satellites run West to East (including Sputnik) in order to take advantage of the Earth's rotation.
- Citations
[as the Giant flies toward the missle]
Hogarth Hughes: [in the Giant's mind] You are who you choose to be.
The Iron Giant: Superman.
- Générique farfeluThe Warner Brothers logo is done in 1950s art deco, as the Sputnik signal is heard.
- Autres versionsTwo added scenes overseen by Brad Bird were animated for the theatrical release of The Iron Giant: Signature Edition.
- ConnexionsEdited into The Making of 'The Iron Giant' (1999)
- Bandes originalesHoneycomb
Written by Bob Merrill
Performed by Jimmie Rodgers
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Iron Giant
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 23 315 035 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 732 614 $ US
- 8 août 1999
- Brut – à l'échelle mondiale
- 23 339 506 $ US
- Durée
- 1h 26m(86 min)
- Mixage
- Rapport de forme
- 2.39 : 1
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