Un accident de bus dans une petite ville y amène un avocat pour défendre les familles, mais il découvre que tout le monde a quelque chose à cacher.Un accident de bus dans une petite ville y amène un avocat pour défendre les familles, mais il découvre que tout le monde a quelque chose à cacher.Un accident de bus dans une petite ville y amène un avocat pour défendre les familles, mais il découvre que tout le monde a quelque chose à cacher.
- Nommé pour 2 oscars
- 34 victoires et 56 nominations au total
Histoire
Le saviez-vous
- AnecdotesAs indicated on writer and director Atom Egoyan's commentary track on the DVD, many people ask about the odd mask worn by the notetaker during the deposition scene. This is a stenographer's mask, an item which is used in real life by a stenographer to record his or her own voice during the deposition.
- GaffesWhen Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a tea kettle whistling but the one we see on the wood stove is not the whistling type, and there is no steam coming from the kettle.
- Citations
Mitchell Stephens: I woke to the sound of Zoe's breathing. It was laboured. I looked over and noticed she was sweating and all swollen. I grabbed her, rushed to the kitchen, and splashed water on her face.
Alison: What happened?
Mitchell Stephens: I didn't know. I was in a panic. I guessed she'd been bitten by an insect, but there was no doctor. The nearest hospital was forty miles away, and Zoe was continuing to swell. Klara took her in her arms and tried to breast-feed her, while I dialed the hospital. I finally got a doctor on the line. He sounded young, but cool. He was confident, but there was a nervousness. He had been an intern. This was the first time he ever had to deal with anything like this. He wanted to seem like he knew what he was doing, but he was just as scared as I was.He surmised that there was a nest of baby black widow spiders in the mattress. He told me they had to be babies, or else with Zoe's weight she'd be dead. He told me I had to rush her to the hospital. He was alone. There was no ambulance available. 'Now you listen', he said, 'There's a good chance you can get her to me before her throat closes, but the important thing is to keep her calm.' He asked if there was one of us she was more relaxed with than the other. I said, 'Yes, with me.' Which was true enough, especially at that moment. Klara was wild-eyed with fear, and her fear was contagious. I was a better actor than she was, that's all. Zoe loved us equally then. Just like she hates us both equally now. The doctor told me that I should hold her in my lap, and let Klara drive to the hospital. He asked me to bring a small, sharp knife. It had to be clean. There was no time to sterilize properly. He explained how to perform an emergency tracheotomy. How to cut into my daughter's throat and windpipe without causing her to bleed to death. He told me there'd be a lot of blood. I said I didn't think I could do it. 'If her throat closes up and stops her breathing, you'll have to, Mr. Stephens. You'll have a minute and a half, two minutes maybe, and she'll probably be you can keep her calm and relaxed, if you don't let her little heart beat too fast and spread the poison around, then you might just make it over here first. You get going now', and he hung up. It was an unforgettable drive. I was divided into two people. One part of me was Daddy, singing a lullaby to his little girl. The other part was a surgeon, ready to cut into her throat. I waited for the second that Zoe's breath stopped to make that incision.
Alison: What happened?
Mitchell Stephens: Oh, nothing. We made it to the hospital. I didn't have to go as far as I was prepared to. But I was prepared to go all the way.
- Bandes originalesOne More Colour
Words and Music by Jane Siberry
Courtesy of Wing in Music/Red Sky Music
Arranged by Mychael Danna
Vocal by Sarah Polley
Performed by The Sam Dent Band
What I found was less compelling than I expected. None of the characters were really engaging, and perhaps that's the aim of the film. But I honestly can't understand how this movie could have made people cry. Who did they identify with? Ian Holm's character, whose grimacing and silence set my teeth on edge, and whose attitude toward the families of the accident victims was so entirely self-serving? Sarah Polley's character, who almost never displayed any spark of life? And even if I had begun to identify with one character or another, I would have been instantly put off by the trite lines that kept coming out of their mouths. "Let me direct your rage?" Give me a break.
Not to imply too much of a connection between the films, but if you want to feel the terror and rage surrounding a tragedy as though you were there living through it, see "Boys Don't Cry." The words that go unsaid in that film are worth much more than those voiced-over or spoken all too clearly in "the Sweet Hereafter."
- Andro-3
- 9 déc. 1999
- Lien permanent
Meilleurs choix
- How long is The Sweet Hereafter?Propulsé par Alexa
Détails
Box-office
- Budget
- 5 000 000 $ (estimation)
- Brut – États-Unis et Canada
- 3 263 585 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 31 149 $ US
- 12 oct. 1997
- Brut – à l'échelle mondiale
- 3 263 585 $ US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1