Un journaliste atypique et son avocat psychopathe se rendent à Las Vegas pour une série d'expériences psychédéliques.Un journaliste atypique et son avocat psychopathe se rendent à Las Vegas pour une série d'expériences psychédéliques.Un journaliste atypique et son avocat psychopathe se rendent à Las Vegas pour une série d'expériences psychédéliques.
- Prix
- 1 victoire et 3 nominations au total
Brian Le Baron
- Parking Attendant
- (as Brian LeBaron)
Histoire
Le saviez-vous
- AnecdotesIn the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
- GaffesDr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
- Citations
[watching Dr. Gonzo leave]
Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
- Générique farfeluThe Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
- Autres versionsThe US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
- ConnexionsEdited from Vega$ (1978)
- Bandes originalesMy Favorite Things
Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II
Published by Williamson Music
Performed by The Lennon Sisters
Courtesy of Ranwood Records/ A Walk Music Group Co.
By arrangement with Warner Special Products
Commentaire en vedette
In a sense, this is kind of like the movie Terry Gilliam was born to do.
Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.
Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.
--PolarisDiB
Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.
Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.
--PolarisDiB
- Polaris_DiB
- 3 déc. 2005
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Fear and Loathing in Las Vegas
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 10 680 275 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 338 590 $ US
- 24 mai 1998
- Brut – à l'échelle mondiale
- 10 680 275 $ US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the streaming release date of Peur et dégoût à Las Vegas (1998) in Australia?
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