Les derniers jours du disco

`You have no idea what men think about women's breasts,' womaniser Des McGrath (Christopher Eigeman) pleads. No, not a rehash of Boogie Nights, but the third instalment, following Metropolitan and Barcelona, of Whitman's `yuppie' odyssey.

This New York yarn centres on publishing assistants Charlotte (flawless snotty American accent by Kate Beckinsale) and her best friend/biggest rival Alice (Chloe Sevigny). Bitchy Charlotte - `In physical terms, I'm cuter than you, but you're much nicer than I am,' - and Alice fall in with a parade of self-absorbed fellows in pullovers and drab ties. The `verbal' action between this set of intellectual folk takes place at a ludicrous dance palace in the very early 80s, with the `disco movement' decaying and Reagan's soul-devouring materialism taking hold.

In the main these are disagreeable people, but as much as you urge yourself to loathe them, you can't quite do it. Whitman's wildly self-indulgent and witty script (`Do you think the neurological effects of caffeine are similar to that of cocaine?') makes them impossible to ignore and eventually their awfulness becomes disturbingly compelling. A bit like Friends, only without dumb Joey and flaky Phoebe.

Although, aesthetically and visually Whitman's film doesn't quite ring true – clothing looks too 90s and they'd never be able to talk so much in a club – the dialogue is fresh and chances are you'll be grinning from here to Bolivia when the "Love Train" rolls through the subway at the end.

• Ben Walsh