ÉVALUATION IMDb
6,3/10
127 k
MA NOTE
Une spécialiste des assurances est chargée par son employeur de repérer et d'aider à capturer un voleur d'art.Une spécialiste des assurances est chargée par son employeur de repérer et d'aider à capturer un voleur d'art.Une spécialiste des assurances est chargée par son employeur de repérer et d'aider à capturer un voleur d'art.
- Prix
- 4 victoires et 6 nominations au total
Tom Clarke Hill
- ICB Operator
- (as Tom Clarke-Hill)
Histoire
Le saviez-vous
- AnecdotesThis movie came in $2 million below its budget. Co-producer Rhonda Tollefson credits this to producer Sir Sean Connery's thrifty Scottish ways. Connery drove his own car instead of hiring a driver, and flew on commercial planes instead of using private ones so that all of the money would show up on-screen.
- GaffesAt the training Robert MacDougal says that 5db is too loud for the explosions. But 5db is about the same as a person breathing. They talk louder then that when they are counting.
- Autres versionsThe British Board of Film Classification state that "substitutions" were made before a 12 certificate could be awarded. The edits were to change the line "Sit the fuck down" to "Sit your butt down". The DVD subtitles contain the original line, and the Australian DVD uses the same cut master. The cuts were waived for the 2007 DVD release.
- ConnexionsFeatured in HBO First Look: The Making of 'Entrapment' (1999)
- Bandes originalesLost My Faith
(Trevor Horn Remix)
Written by Seal and Reggie Hamilton
Performed by Seal
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
Commentaire en vedette
I know: many viewers resented the apparent lack of physical chemistry between the characters played by Connery and Zeta-Jones. Most of them had vivid memories of Sean Connery playing the always charismatic 007, and Catherine Zeta-Jones exchanging sparks with Antonio Banderas in The Mask of Zorro.
But is chemistry between a man and a woman just, physical, sensual, and sexual ?
I find the movie entertaining, as it shows 2 people enjoying doing what they like best. The chemistry is between Zeta-Jones youth, outgoing passion for life and Connery's less evident, more inward quest for adventure which is backed up by his wisdom and longtime experience. As they go about doing and accomplishing things together, the old man develops respect and acknowledges the younger woman's worth. Slowly he starts to like her and, despite his age, or, perhaps because of his age, he feels that, to a certain extent he cares for her. While, at the same time, she turns from intellectually admiring him to actually liking him on her side.
Admittedly, it is an uneasy chemistry between Connery, the Scott gentleman and Catherine, the Welsh with long brown hair and eyes, but the film offers enjoyable action moments interspersed with occasionally good dialogue and exchanges between the two leads.
Watch "Entrapment" ! Enjoy it as I did for what it is, not for what it is not!- (rating 7.5/10)
But is chemistry between a man and a woman just, physical, sensual, and sexual ?
I find the movie entertaining, as it shows 2 people enjoying doing what they like best. The chemistry is between Zeta-Jones youth, outgoing passion for life and Connery's less evident, more inward quest for adventure which is backed up by his wisdom and longtime experience. As they go about doing and accomplishing things together, the old man develops respect and acknowledges the younger woman's worth. Slowly he starts to like her and, despite his age, or, perhaps because of his age, he feels that, to a certain extent he cares for her. While, at the same time, she turns from intellectually admiring him to actually liking him on her side.
Admittedly, it is an uneasy chemistry between Connery, the Scott gentleman and Catherine, the Welsh with long brown hair and eyes, but the film offers enjoyable action moments interspersed with occasionally good dialogue and exchanges between the two leads.
Watch "Entrapment" ! Enjoy it as I did for what it is, not for what it is not!- (rating 7.5/10)
- Emil Marcus
- 16 janv. 2000
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Détails
Box-office
- Budget
- 66 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 87 704 396 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 145 595 $ US
- 2 mai 1999
- Brut – à l'échelle mondiale
- 212 404 396 $ US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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