Ajouter une intrigue dans votre langueHandguns come into the lives of 9 individuals in LA somehow connected to each other. Deaths follow.Handguns come into the lives of 9 individuals in LA somehow connected to each other. Deaths follow.Handguns come into the lives of 9 individuals in LA somehow connected to each other. Deaths follow.
- Prix
- 7 victoires et 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesJanuary Jones's film debut.
- GaffesWhen Tim and Chris are at the table discussing what time Tim got home, the newspaper in Tim's hands changes position between shots.
- ConnexionsFeatures Train de luxe (1934)
- Bandes originalesUn bel di vedremo (Madame Butterfly)
by Giacomo Puccini
Commentaire en vedette
To be taken seriously only as political satire. Quite humorous and edgy, with a sharp script, but spotty continuity in the narrative. Almost more a cartoon than a good story.
None of the characters are believable, which is OK, as they seem to be distillations of types. All of the men in this film are horrible--I wouldn't want a friend or a relative among them. Women are treated as victims, more or less, what spare representation there is of women, though both Joan Allen and Anna Paquin are wonderful in these highly stylized roles.
Jeff Daniels's performance, as are those of most of the other men, are masterpieces of underacting. Gary Sinise and Giovanni Ribisi are given grand opportunities to chew up the scenery, which one may have every expectation either will do, literally, at any moment.
It seems to me this is also less about guns than it is about how guns are a horrible and all too real manifestation of those things--far more terrible and dark--that may have become by now an inalterable part of the American (that is, the U.S. American) character. Some other themes, besides casual (and not so casual) violence--twisted attitudes toward sexuality, the vagaries of the over-hot infotech culture, and our inability to perceive our own psychological deficiencies--are not well integrated.
None of the characters are believable, which is OK, as they seem to be distillations of types. All of the men in this film are horrible--I wouldn't want a friend or a relative among them. Women are treated as victims, more or less, what spare representation there is of women, though both Joan Allen and Anna Paquin are wonderful in these highly stylized roles.
Jeff Daniels's performance, as are those of most of the other men, are masterpieces of underacting. Gary Sinise and Giovanni Ribisi are given grand opportunities to chew up the scenery, which one may have every expectation either will do, literally, at any moment.
It seems to me this is also less about guns than it is about how guns are a horrible and all too real manifestation of those things--far more terrible and dark--that may have become by now an inalterable part of the American (that is, the U.S. American) character. Some other themes, besides casual (and not so casual) violence--twisted attitudes toward sexuality, the vagaries of the over-hot infotech culture, and our inability to perceive our own psychological deficiencies--are not well integrated.
- hdinin
- 12 sept. 1999
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Détails
Box-office
- Brut – États-Unis et Canada
- 9 730 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 718 $ US
- 9 juill. 2000
- Brut – à l'échelle mondiale
- 9 730 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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