ÉVALUATION IMDb
6,5/10
1,9 k
MA NOTE
Ajouter une intrigue dans votre langueTwo documentary filmmakers go back in time to the pre-Civil War American South to film the slave trade.Two documentary filmmakers go back in time to the pre-Civil War American South to film the slave trade.Two documentary filmmakers go back in time to the pre-Civil War American South to film the slave trade.
Stefano Sibaldi
- Narrator
- (voice)
Dick Gregory
- Self
- (uncredited)
Gualtiero Jacopetti
- Self
- (uncredited)
Ernest Kubler
- Whip
- (uncredited)
Yayoi Kusama
- Self
- (uncredited)
Franco Prosperi
- Self
- (uncredited)
Shelley Spurlock
- Girl
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe movie was originally released in Italy in a 119-minute version and immediately withdrawn when the directors were sued for plagiarism by writer Joseph Chamberlain Furnas. It was re-released in March 1972 in a re-cut 136-minute version under the title 'Zio Tom.'
- Générique farfelu'Questo film è un documentario. I fatti sono storicamente avvenuti ed i personaggi sono realmente esistiti.' Which translates to: 'This film is a documentary. The facts historically happened and the persons really existed.'
- Autres versionsBefore receiving a UK cinema certificate in 1973 the film was extensively cut by around 30 minutes by the BBFC with heavy edits to rape scenes, footage of sexual experiments, graphic violence, the fantasy murder sequence, and the opening scenes on the slave ship.
- ConnexionsFeatured in Adam & Yves (1974)
Commentaire en vedette
Addio Zio Tom: 7/10: Well they don't make them like this anymore and lets face it they never really did. This is really three separate films brought together in a blender set on random. The first film is a highly effective expose on slave treatment and the slave trade in the old south (the slave ship scenes blows Hollywood fare like Armistad out of the water). Using a cast of thousands and exposing practices such as selective breeding that are politely not discussed on American shores (just ask Jimmy the Greek) it simply is one of the most realistic display's of 18th and 19th century slave life ever shown on film.
Then there is a second film which is a dated, and looking back rather silly collection, of news footage from the late sixties and early seventies that documents race riots with all the participants speaking in Italian creating an almost Woody Allen feel to the dub (It gives What's up Tiger Lilly a run for its money complete with ragtime music cementing the silliness of what should be serious proceedings.)
The last movie is a sexploitation film dealing largely with Mandingo fantasies and containing a copious amount of child porn. (I guess National Geographic rules apply when showing thirteen year old black children naked). Needless to say tasteful does not enter into the conversation. Political correctness is shattered so badly one must feel for those sensitive souls that can't laugh at ridiculousness of the manipulation.
Making matters worse the three films are intertwined together seemingly at random with comic buffoonery breaking out during serious scenes (A slave auction is apt to turn into a Benny Hill episode for no apparent reason) and poorly done black revenge fantasies coming, narratively at least, out of nowhere. Anti-white, anti-black and for the sake of inclusion anti-Semitic they once again simply don't make them like this anymore. (It's highly illegal for one thing)
Overlong by at least an hour and very poorly thought out in places Addio Zio Tom wears out its welcome but for a short while at least it exposes the truth and makes one think.
Then there is a second film which is a dated, and looking back rather silly collection, of news footage from the late sixties and early seventies that documents race riots with all the participants speaking in Italian creating an almost Woody Allen feel to the dub (It gives What's up Tiger Lilly a run for its money complete with ragtime music cementing the silliness of what should be serious proceedings.)
The last movie is a sexploitation film dealing largely with Mandingo fantasies and containing a copious amount of child porn. (I guess National Geographic rules apply when showing thirteen year old black children naked). Needless to say tasteful does not enter into the conversation. Political correctness is shattered so badly one must feel for those sensitive souls that can't laugh at ridiculousness of the manipulation.
Making matters worse the three films are intertwined together seemingly at random with comic buffoonery breaking out during serious scenes (A slave auction is apt to turn into a Benny Hill episode for no apparent reason) and poorly done black revenge fantasies coming, narratively at least, out of nowhere. Anti-white, anti-black and for the sake of inclusion anti-Semitic they once again simply don't make them like this anymore. (It's highly illegal for one thing)
Overlong by at least an hour and very poorly thought out in places Addio Zio Tom wears out its welcome but for a short while at least it exposes the truth and makes one think.
- juliankennedy23
- 18 févr. 2005
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Goodbye Uncle Tom
- Lieux de tournage
- Port-au-Prince, Haiti(Majority of interiors and exteriors)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
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