ÉVALUATION IMDb
7,3/10
20 k
MA NOTE
Ajouter une intrigue dans votre langueA traumatized member of an elite para-military police force falls for the sister of a female terrorist courier who died in front of him on duty.A traumatized member of an elite para-military police force falls for the sister of a female terrorist courier who died in front of him on duty.A traumatized member of an elite para-military police force falls for the sister of a female terrorist courier who died in front of him on duty.
- Prix
- 4 victoires et 2 nominations au total
Michael Dobson
- Kazuki Fuse
- (English version)
- (voice)
Yoshikazu Fujiki
- Kazuki Fuse
- (voice)
- (as Yoshikatsu Fujiki)
Sumi Mutoh
- Kei Amemiya
- (voice)
Moneca Stori
- Kei Amemiya
- (English version)
- (voice)
Colin Murdock
- Atsushi Henmi
- (English version)
- (voice)
- …
Yukio Hiroda
- Bunmei Muroto
- (voice)
Dale Wilson
- Bunmei Muroto
- (English version)
- (voice)
- …
Michael Kopsa
- Hajime Handa
- (English version)
- (voice)
Yukihiro Yoshida
- Hajime Handa
- (voice)
Ron Halder
- Shiro Tatsumi
- (English version)
- (voice)
- …
Eri Sendai
- Nanami Agawa
- (voice)
Kenji Nakagawa
- Isao Aniya
- (voice)
Maggie Blue O'Hara
- Nanami Agawa
- (English version)
- (voice)
French Tickner
- Isao Aniya
- (English version)
- (voice)
Tamio Ôki
- CAPO Officer
- (voice)
Doug Abrahams
- Narrator
- (English version)
- (voice)
- …
Ryûichi Horibe
- Shiroh Tatsumi
- (voice)
- (as Ryuichi Horibe)
Histoire
Le saviez-vous
- AnecdotesThe movie was submitted for an Oscar for Best Animated Film, but was rejected because it was already shown on home video in Japan.
- Citations
Kei Amemiya: What big eyes you have... what big teeth you have!
- Autres versionsAn English credit roll is used for the dubbed version as well as an English title crawl for the opening quote.
- ConnexionsFeatured in Masters of Fantasy: The Anime Filmmakers (1998)
Commentaire en vedette
The plot of Jin-Roh is set in a fictitious Tokyo, several years after the second World War. Violent combats between an anti-administration terrorist organization and the capital's para-military police rock the city over and over again. When Fuse, a member of the capital's police force, gets suspended after a young terrorist messenger blows herself up in front of his eyes, he tries to search for more information about her but gets mired in a secret power struggle between the administration and the capital's police force.
The plot of "Jin-Roh" is so sophisticated, it can hardly be described without spoiling some very important facts. The movie then comes up with several stunningly surprising twists that one would hardly have anticipated. But despite, respectively, due to the movie's complexity, it is sometimes hard to follow properly the events and incidents. There are so many different organizations interacting and intriguing, which shall not mean, that the story is inconsistent. Rather are all relationships and hierarchies between the organizations (police, administration, ministries) brilliantly thought-out, but the fact that everybody seems to play off against one another, doesn't make it clear who belongs to whom until the end. I had to watch the movie twice, before realizing every aspect of the story.
All this may sound like an ordinary political crime plot, but let me tell you, it is something totally unique. The plot's obscurity perfectly fits its grim atmosphere. The idea of a fictitious past is excellently illustrated by the streets and locations, that seem familiar, but at the same time totally strange.
The movie's subjects about guilt, atonement and living with burden make it also pretty depressing, but at the same time, a special cinematic experience, due to its unique stylistic features, such as narrating the story of "Little Red Riding Hood and the evil wolf" during several scenes, which accurately fits the events in the movie itself.
All in all, one of the greatest and most unique movies, that I have seen, Mamoru Oshii, once again, created a brilliant and intelligent plot, whose complexity sometimes really reminds oneself of Oshii's "Ghost in the shell". The movie's overwhelming picture language and music contribute to its excellence.
The plot of "Jin-Roh" is so sophisticated, it can hardly be described without spoiling some very important facts. The movie then comes up with several stunningly surprising twists that one would hardly have anticipated. But despite, respectively, due to the movie's complexity, it is sometimes hard to follow properly the events and incidents. There are so many different organizations interacting and intriguing, which shall not mean, that the story is inconsistent. Rather are all relationships and hierarchies between the organizations (police, administration, ministries) brilliantly thought-out, but the fact that everybody seems to play off against one another, doesn't make it clear who belongs to whom until the end. I had to watch the movie twice, before realizing every aspect of the story.
All this may sound like an ordinary political crime plot, but let me tell you, it is something totally unique. The plot's obscurity perfectly fits its grim atmosphere. The idea of a fictitious past is excellently illustrated by the streets and locations, that seem familiar, but at the same time totally strange.
The movie's subjects about guilt, atonement and living with burden make it also pretty depressing, but at the same time, a special cinematic experience, due to its unique stylistic features, such as narrating the story of "Little Red Riding Hood and the evil wolf" during several scenes, which accurately fits the events in the movie itself.
All in all, one of the greatest and most unique movies, that I have seen, Mamoru Oshii, once again, created a brilliant and intelligent plot, whose complexity sometimes really reminds oneself of Oshii's "Ghost in the shell". The movie's overwhelming picture language and music contribute to its excellence.
- Danherb
- 24 sept. 2006
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Jin-Roh: The Wolf Brigade
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 94 591 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 098 $ US
- 24 juin 2001
- Brut – à l'échelle mondiale
- 95 279 $ US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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