ÉVALUATION IMDb
7,0/10
2,2 k
MA NOTE
Ajouter une intrigue dans votre langueMatsu is sheltered by an incestuous prostitute on her run from the police, her ex-prison mate and a cop whose arm she hacked off.Matsu is sheltered by an incestuous prostitute on her run from the police, her ex-prison mate and a cop whose arm she hacked off.Matsu is sheltered by an incestuous prostitute on her run from the police, her ex-prison mate and a cop whose arm she hacked off.
Histoire
Le saviez-vous
- AnecdotesReferences ghost stories of old Japan on demon folklore; the story of Tsuna Watanabe battling a demon and severing his arm, and the story of a brother and sister from a forgotten village committing incest as a means of supporting each other. This is the cinematic world Shunya Ito wanted to create for this installment of the Scorpion series.
- Citations
Yuki Nakagawa: That's right. I'm pregnant. It's my brother's baby!
- ConnexionsFeatured in Shunya Ito: Birth of an Outlaw (2016)
- Bandes originalesKuruwase tai no
(uncredited)
Performed by Linda Yamamoto
Can be heard playing on Tanida's portable radio
Commentaire en vedette
The first three "Female Convict Scorpion" movies, which are the only ones directed by Shunya Ito, are part of the same series but are entirely different entities structurally. The first one is a fairly straight-forward 'women in prison' flick, the second is a piece of great avant-garde film-making, and the third is a slow paced character study. In fact, for most of the movie it is pure Japanese drama, especially the first half, and most viewers would be hard pressed to pigeonhole the movie with just calling it an exploitation film.
Not to say it is completely separate from the other two. Matsu is still her usual quiet self, albeit with a few more lines than normal, and the men are still complete scumbags. She's still running from the cops and using any pointy object she can get her hands on, but she is also keeping a steady job sewing, which is a strange sight to see for any fan of Matsu's previous exploits. She soon finds herself in a situation defending herself and two prostitutes against a local gangs, and violence obviously ensues.
So is it actually any good? For most part, yes, yes it is. The pacing is definitely slower but works well with its new rhythm. It just that it really does not go anywhere with all its character development that fills the first half, and the carnage that ensues does not the fun spirit of its predecessors. Its still a very colorful and stylish film, with some really memorable scenes, but it leaves you wondering why such an otherwise energetic trilogy had to end on a period, and not the exclamation point that its avid fans had all been expecting.
6/10
Not to say it is completely separate from the other two. Matsu is still her usual quiet self, albeit with a few more lines than normal, and the men are still complete scumbags. She's still running from the cops and using any pointy object she can get her hands on, but she is also keeping a steady job sewing, which is a strange sight to see for any fan of Matsu's previous exploits. She soon finds herself in a situation defending herself and two prostitutes against a local gangs, and violence obviously ensues.
So is it actually any good? For most part, yes, yes it is. The pacing is definitely slower but works well with its new rhythm. It just that it really does not go anywhere with all its character development that fills the first half, and the carnage that ensues does not the fun spirit of its predecessors. Its still a very colorful and stylish film, with some really memorable scenes, but it leaves you wondering why such an otherwise energetic trilogy had to end on a period, and not the exclamation point that its avid fans had all been expecting.
6/10
- goldenhairedone
- 28 mai 2005
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- Female Prisoner Scorpion: Beast Stable
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By what name was Joshuu sasori: Kemono-beya (1973) officially released in India in English?
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