ÉVALUATION IMDb
7,1/10
42 k
MA NOTE
L'histoire intense de Mark "Chopper" Read, un criminel légendaire qui a écrit son autobiographie alors qu'il purgeait une peine de prison. Son livre, "From the Inside", sur lequel le film es... Tout lireL'histoire intense de Mark "Chopper" Read, un criminel légendaire qui a écrit son autobiographie alors qu'il purgeait une peine de prison. Son livre, "From the Inside", sur lequel le film est basé, était un best-seller.L'histoire intense de Mark "Chopper" Read, un criminel légendaire qui a écrit son autobiographie alors qu'il purgeait une peine de prison. Son livre, "From the Inside", sur lequel le film est basé, était un best-seller.
- Prix
- 12 victoires et 14 nominations au total
Renée Brack
- Television Interviewer
- (as Renee Brack)
Histoire
Le saviez-vous
- AnecdotesEric Bana spent two days living with Mark Brandon Read so he could get a better understanding of how to play his character in the film.
- GaffesAt Tanya's house you see the car lights are on as Chopper goes to her front door. When he comes back and beats the car in frustration --- they are off.
- ConnexionsFeatured in 20 to 1: Great Aussie Movies (2006)
- Bandes originalesDon't Fence Me In
Performed by Frankie Laine
Composed by Cole Porter
© 1944 Warner Bros. Inc. (ASCAP). All rights reserved
Courtesy of Prestige Records (UK) Limited
Licensed from Rajon Entertainment Pty Ltd
Commentaire en vedette
Mark Brandon Read, nicknamed "Chopper", was a notorious criminal in Australia who after spending most of his life in prison, went on publishing books with anecdotes of those years becoming a successful writer of Best-Sellers. While he has been accused of exaggerating things about his life in his books, the stories presented still are realistic and shocking, and give insight about the mind of this complex and often-troubled man, regardless if if they are real or fiction. "Chopper", the movie, is not based exactly on Read's life, but in the series of anecdotes he wrote in his first books.
Eric Bana plays Chopper and gives one of his best performances to date, capturing the very essence of the living legend Chopper has become now. It is not a surprise that this film gave him recognition out of Australia and turned him into an international star. but even when the movie is centered around Chopper, Simon Lyndon and Kate Beahan's performances shine in their roles as Chopper's cell mate Jimmy and Chopper's girlfriend Tanya respectively.
Like Read's books, the movie is not exactly a biography, but a collection of tales surrounding the now-mythical figure of "Chopper", presented in a way that perfectly mixes strange surrealism with harsh realism. The gritty semi-documentary look the film has enhances this feeling as well as the cold way the violence is presented. Like the real Chopper, the film walks the fine line between fact and fiction, and that's what makes it very appealing and interesting.
It could be said that Director Andrew Dominik painted an accurate portrait of "Chopper" the legend, not of the real person; and that's probably what the real Chopper may prefer. Domink plays with the moods, going from serious drama to awkwardly funny scenes in this character study that presents us a charming yet dangerous man, who probably has been through more than what we would like to do, yet less than what he would likes us to believe.
The film is very intense and "tough", and very good at it; Bana is perfect as Chopper and shows great promise as an actor. His characterization makes very difficult to don't like this common man with a very uncommon life. Director Dominik makes a straight-to-the-face film that stays true to Chopper's persona (fictional or not), and does it without being pretentious or manipulative. It basically lets Chopper's charisma speak for itself playing with the audience's fascination with crime and violence.
If as flaw was to be found, it would be that it never tries to go beyond its goal or push too much the envelope. It is not much of a flaw, as the results are still brilliant, but leaves one wondering at how far could it had gone considering the talent of those involved. Anyways, Eric Bana and Andrew Dominik are set to a bright future and this film is a brilliant start for these two new talents. 7/10
Eric Bana plays Chopper and gives one of his best performances to date, capturing the very essence of the living legend Chopper has become now. It is not a surprise that this film gave him recognition out of Australia and turned him into an international star. but even when the movie is centered around Chopper, Simon Lyndon and Kate Beahan's performances shine in their roles as Chopper's cell mate Jimmy and Chopper's girlfriend Tanya respectively.
Like Read's books, the movie is not exactly a biography, but a collection of tales surrounding the now-mythical figure of "Chopper", presented in a way that perfectly mixes strange surrealism with harsh realism. The gritty semi-documentary look the film has enhances this feeling as well as the cold way the violence is presented. Like the real Chopper, the film walks the fine line between fact and fiction, and that's what makes it very appealing and interesting.
It could be said that Director Andrew Dominik painted an accurate portrait of "Chopper" the legend, not of the real person; and that's probably what the real Chopper may prefer. Domink plays with the moods, going from serious drama to awkwardly funny scenes in this character study that presents us a charming yet dangerous man, who probably has been through more than what we would like to do, yet less than what he would likes us to believe.
The film is very intense and "tough", and very good at it; Bana is perfect as Chopper and shows great promise as an actor. His characterization makes very difficult to don't like this common man with a very uncommon life. Director Dominik makes a straight-to-the-face film that stays true to Chopper's persona (fictional or not), and does it without being pretentious or manipulative. It basically lets Chopper's charisma speak for itself playing with the audience's fascination with crime and violence.
If as flaw was to be found, it would be that it never tries to go beyond its goal or push too much the envelope. It is not much of a flaw, as the results are still brilliant, but leaves one wondering at how far could it had gone considering the talent of those involved. Anyways, Eric Bana and Andrew Dominik are set to a bright future and this film is a brilliant start for these two new talents. 7/10
- jluis1984
- 5 avr. 2006
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Détails
Box-office
- Budget
- 5 000 000 $ AU (estimation)
- Brut – États-Unis et Canada
- 236 185 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 044 $ US
- 15 avr. 2001
- Brut – à l'échelle mondiale
- 310 121 $ US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for Chopper: Ennemi public (2000)?
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