Dong jing gong lüe

`Tokyo Raiders' starts off fast and furious. Before we are on a first name basis with one of the main characters, he is embroiled in a fight scene the can only be described as Jet Li meets James Bond meets MacGyver.

`Tokyo Raiders' moves at an incredibly fast pace, Fight and Chase, Fight and Chase, and I found myself fighting and chasing the ever elusive plot. I saw the version dubbed into English, and perhaps that's the only fault of the movie. I never fully got a grasp of who each character was, what their name was, as well as the purpose for their actions. Introductions to the characters are never properly given, and soon the plot twists so much you don't know who's who, who's Chinese, who's Japanese, who's working for which mob boss, and who's actually a good guy. This might be part of the film's mystique, or just really bad English dubbing. In any event I didn't really care. The martial arts fight scenes are plentiful in this film, and they are brilliantly done. The actors themselves are very skilled in the martial arts, and the director really enjoys playing with slow motion and rotating camera angles. The effect is absolute brilliance: a truly new art form made up of technical merit and intelligence in both filmmaking and martial arts skill.

This movie has been called a comedy. It's not so much a comedy as it is a comedy of errors. I liken it to `Lock Stock, and Two Smoking Barrels' as both involve some frantically hysterical antics that happen when average Joes get mixed up in the seedy mob underworld. Both films move at a mile a minute as well. Have I mentioned this film moves fast yet?

The artfully done martial arts more than makes up for any confusion caused by the speed of the plot and the poor English dubbing. If you thought `Lock, Stock, and Two Smoking Barrels' needed some Kung Fu added to it, this movie might just be your soulmate. . 7/9 Stars