Diverses vies convergent sur une île isolée, toutes reliées par un auteur dont le roman est devenu inextricablement entrelacé avec sa propre vie.Diverses vies convergent sur une île isolée, toutes reliées par un auteur dont le roman est devenu inextricablement entrelacé avec sa propre vie.Diverses vies convergent sur une île isolée, toutes reliées par un auteur dont le roman est devenu inextricablement entrelacé avec sa propre vie.
- Prix
- 11 victoires et 18 nominations au total
María Álvarez
- Enfermera
- (as María Alvarez)
Javier Coromina
- Camarero Chiringuito
- (as Javier Corominas)
Alesandra Álvarez
- Luna 1 año
- (as Alesandra Alvarez)
José Ferreira
- Emplastro
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesSome of the most sexual explicit content was made by doubles, not by the main actors.
- GaffesA full moon between two buildings is shown during midday when Lorenzo meets his daughter Luna for the first time - which is astronomically impossible.
- Générique farfeluCredits scroll in the opposite direction.
- Autres versionsThe US cut removes most of the frontal nudity and runs approximately 2 minutes shorter.
- ConnexionsFeatured in Brows Held High: Room in Rome (2013)
- Bandes originalesUn Rayo de Sol
Written by Daniel Vangarde (as Vangarde), Claude Carrère and Amado Jaén (as Jaen)
(c) Bleu Blanc Rouge Editions Soc - Editions Productions Zagora
Ediciones Musicales Clipper's, S.L.
Commentaire en vedette
This is one of the better structured movies ever put to screen. It's as complex as Lynch's Lost Highway, but that only adds to the experience. A non-linear structure (in time and space) is applied and Lucia y el Sexo blurs the line between reality and imagination.
Basically, it's like Mulholland Drive: Most of what we see is a dream, imagination. Only a relatively small part did really happen. But this goes one step further: What part is in the eye of the beholder here, because little clues are given so the mystery format is only used to keep us entertained at a basic level.
A writer is the center here. Some parts of his life are probably true (trouble at home, sickness), others are ambiguous, others are certainly imagined. He is in the meta-story, but also places himself in threads in the other stories that come from his imagination. His imagination is formed by applying smaller and larger events (meeting a person at a party, seeing someone in front of the house) in his personal life to his fantasies. His erotic fantasies explain the title, as sex is one of the characters of the story. One of the story lines is again about his script read on the island by one of his imagined characters. Writing the story and telling the story is done simultaneously. As he becomes sick, the characters become helpless in the story. Overall it helps a lot if you keep imagining that you're watching imagined characters being manipulated by the writer. This combines meta-story and story, real with imagination, weaving several threads in a complicated web of story lines. In the end, it is made clear that the story doesn't end but starts again halfway, giving further evidence that viewers can use their imagination at random on this and create their own story out of it.
The meta-story is interesting, but by mixing it with the story itself we see the real story as what it is, a writing trick with imagined characters. That unfortunately diminishes the emotions a movie tries to convey. We're merely watching how a movie is structured, with the imagined story not having the usual dramatic impact.
It's remarkable that so many people are offended by the sex scenes, as it's already in the title. Do they also complain about the presence of aliens in Alien? I found the sex scenes to be made with some honesty; and at least they didn't even shy away of male nudity.
Basically, it's like Mulholland Drive: Most of what we see is a dream, imagination. Only a relatively small part did really happen. But this goes one step further: What part is in the eye of the beholder here, because little clues are given so the mystery format is only used to keep us entertained at a basic level.
A writer is the center here. Some parts of his life are probably true (trouble at home, sickness), others are ambiguous, others are certainly imagined. He is in the meta-story, but also places himself in threads in the other stories that come from his imagination. His imagination is formed by applying smaller and larger events (meeting a person at a party, seeing someone in front of the house) in his personal life to his fantasies. His erotic fantasies explain the title, as sex is one of the characters of the story. One of the story lines is again about his script read on the island by one of his imagined characters. Writing the story and telling the story is done simultaneously. As he becomes sick, the characters become helpless in the story. Overall it helps a lot if you keep imagining that you're watching imagined characters being manipulated by the writer. This combines meta-story and story, real with imagination, weaving several threads in a complicated web of story lines. In the end, it is made clear that the story doesn't end but starts again halfway, giving further evidence that viewers can use their imagination at random on this and create their own story out of it.
The meta-story is interesting, but by mixing it with the story itself we see the real story as what it is, a writing trick with imagined characters. That unfortunately diminishes the emotions a movie tries to convey. We're merely watching how a movie is structured, with the imagined story not having the usual dramatic impact.
It's remarkable that so many people are offended by the sex scenes, as it's already in the title. Do they also complain about the presence of aliens in Alien? I found the sex scenes to be made with some honesty; and at least they didn't even shy away of male nudity.
- diand_
- 23 juill. 2005
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Sex and Lucía
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 1 594 779 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 47 591 $ US
- 14 juill. 2002
- Brut – à l'échelle mondiale
- 7 640 680 $ US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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