Ajouter une intrigue dans votre langueAndreas reconnects with Claire, rekindling their love affair after forty years apart. Complications include health risks, death, and potential impact on John.Andreas reconnects with Claire, rekindling their love affair after forty years apart. Complications include health risks, death, and potential impact on John.Andreas reconnects with Claire, rekindling their love affair after forty years apart. Complications include health risks, death, and potential impact on John.
- Prix
- 9 victoires et 6 nominations au total
Charles 'Bud' Tingwell
- Andreas Borg
- (as Charles Tingwell)
Jo Kennedy
- Sally
- (as Joey Kennedy)
Histoire
Le saviez-vous
- AnecdotesOne of five feature films made in South Australia which were written and/or directed by Australian auteur Paul Cox. The pictures are: 'Innocence' (2000), 'Human Touch' (2004), 'Lust and Revenge' (1996), the 'Winners' series episode tele-movie short feature 'The Paper Boy' (1985), and the documentary feature 'The Diaries of Vaslav Nijinsky' (2001). He also later directed the feature documentary 'Paul Cox directs the Diary of Nijinsky' (2014) which was about the making of the latter.
- Bandes originalesJerusalem
(uncredited)
Lyrics by William Blake
Music by Sir Charles Hubert Hastings Parry
Played on the organ by Andreas in the last church scene
Commentaire en vedette
This film took my breath away. It's been many months, perhaps years, since I last felt so moved by a feature film.
Paul Cox has certainly outdone himself with this one. There were times when I was reminded of `A Woman's Tale', his offering from around ten years ago, particularly during the discussions about life, death and love. In particular, his theme about death being a part of life continues in this feature.
The performances of Tingwell, Blake and Norris are outstanding, and the scenes of intimacy are tasteful and beautiful. The Australian scenes were filmed in Adelaide, and this city scrubs up well and does the story justice.
Cox makes ample use of his usual visual signatures - faces through glass doors, reflections in water, wind chimes, caged birds, people talking from the other side of trees in autumnal glory. However, for me, the scene in the church when Andreas plays `Jerusalem' on the pipe organ, managed to gather together the visual with the aural, and deliver a hefty dose of the emotional as well.
An astonishing film, and the most believable love story I have ever seen on the big screen.
Paul Cox has certainly outdone himself with this one. There were times when I was reminded of `A Woman's Tale', his offering from around ten years ago, particularly during the discussions about life, death and love. In particular, his theme about death being a part of life continues in this feature.
The performances of Tingwell, Blake and Norris are outstanding, and the scenes of intimacy are tasteful and beautiful. The Australian scenes were filmed in Adelaide, and this city scrubs up well and does the story justice.
Cox makes ample use of his usual visual signatures - faces through glass doors, reflections in water, wind chimes, caged birds, people talking from the other side of trees in autumnal glory. However, for me, the scene in the church when Andreas plays `Jerusalem' on the pipe organ, managed to gather together the visual with the aural, and deliver a hefty dose of the emotional as well.
An astonishing film, and the most believable love story I have ever seen on the big screen.
- prose
- 22 janv. 2001
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Détails
Box-office
- Brut – États-Unis et Canada
- 2 202 382 $ US
- Brut – à l'échelle mondiale
- 3 034 980 $ US
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