Un scénariste au coeur brisé commence à perdre espoir alors qu'il essaie sans succès d'adapter à l'écran "Le Voleur d'orchidées" de Susan Orlean.Un scénariste au coeur brisé commence à perdre espoir alors qu'il essaie sans succès d'adapter à l'écran "Le Voleur d'orchidées" de Susan Orlean.Un scénariste au coeur brisé commence à perdre espoir alors qu'il essaie sans succès d'adapter à l'écran "Le Voleur d'orchidées" de Susan Orlean.
- A remporté 1 oscar
- 67 victoires et 100 nominations au total
- Ranger Steve Neely
- (scenes deleted)
- Orlean Dinner Guest
- (as Agnes Badoo)
Histoire
Le saviez-vous
- AnecdotesNicolas Cage has said that during the filming of this movie, he ignored all of his acting instincts and played the part of Charlie Kaufman exactly as director Spike Jonze asked him to. He then received an Academy Award nomination for it.
- GaffesWhen Susan is brushing her teeth, the sound of brushing continues when she has already stopped. This was done on purpose to show the effects of the drug kicking in.
- Citations
Charlie Kaufman: There was this time in high school. I was watching you out the library window. You were talking to Sarah Marsh.
Donald Kaufman: Oh, God. I was so in love with her.
Charlie Kaufman: I know. And you were flirting with her. And she was being really sweet to you.
Donald Kaufman: I remember that.
Charlie Kaufman: Then, when you walked away, she started making fun of you with Kim Canetti. And it was like they were laughing at *me*. You didn't know at all. You seemed so happy.
Donald Kaufman: I knew. I heard them.
Charlie Kaufman: How come you looked so happy?
Donald Kaufman: I loved Sarah, Charles. It was mine, that love. I owned it. Even Sarah didn't have the right to take it away. I can love whoever I want.
Charlie Kaufman: But she thought you were pathetic.
Donald Kaufman: That was her business, not mine. You are what you love, not what loves you. That's what I decided a long time ago. What's up?
Charlie Kaufman: [stunned] Thank you.
- Générique farfelu"We're all one thing, Lieutenant. That's what I've come to realize. Like cells in a body. 'Cept we can't see the body. The way fish can't see the ocean. And so we envy each other. Hurt each other. Hate each other. How silly is that? A heart cell hating a lung cell." - Cassie from THE THREE
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Bandes originalesOne Part Lullaby
Written by John Davis, Lou Barlow and Wally Gagel
Published by Careers-BMG Music Publishing, Inc. o/b/o itself, Endless Soft Hits, Loobiecore and Blisswg Productions
Performed by The Folk Implosion
Courtesy of Interscope Records
Under license from Universal Music Enterprises
Charlie Kaufman might just be the most genius screenwriter (I daren't say ever) at the moment. I mean, trying to adapt a book for a screenplay, not succeeding, yet in the process writing a screenplay about how you can't seem to adapt this book for a screenplay. Oh yeah, and also being helped by your not existing twin brother, and crediting him as co-writer, and being nominatad for an Oscar together with him.
Is anyone following this?
Kaufman seems to be the master of destroying the line between reality and fiction.
I kind of have a hard time saying anything about this movie, because I don't know what to say. You should just go and say it. There's nothing like it.
If you liked Being John Malkovic you wil definitely love this. If you hated BJM you might still like it. It doesn't have the absurdity and surreality of BJM. The story is just incredibly intelligently written.
Even though the movie is about how Kaufman is unable to adapt this book, he actually succeeds in doing just that in the process.
Jesus, I'm still totally stunned.
Jonze does do a very good job once again. But the direction is just outshined by the story...
- krispatmo
- 14 mars 2003
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El ladrón de orquídeas
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 22 498 520 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 384 478 $ US
- 8 déc. 2002
- Brut – à l'échelle mondiale
- 32 802 440 $ US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1