Ajouter une intrigue dans votre langueA reporter, notorious for working on pseudo-documentaries, must uncover the legend of the three guardian monsters who must rise to defend Japan from the vengeful spirits within Godzilla.A reporter, notorious for working on pseudo-documentaries, must uncover the legend of the three guardian monsters who must rise to defend Japan from the vengeful spirits within Godzilla.A reporter, notorious for working on pseudo-documentaries, must uncover the legend of the three guardian monsters who must rise to defend Japan from the vengeful spirits within Godzilla.
- Prix
- 1 nomination au total
- Commanding Sector officer
- (as Nobuo Kakuda)
Histoire
Le saviez-vous
- AnecdotesSuit actors Mizuho Yoshida (Godzilla) and Rie Ôta (Baragon) would frequently "roar" when inside their suits during filming. Rie Ôta also happens to be the first female suit actor in the Godzilla series.
- GaffesThe unnatural way King Ghidorah's two outer heads attach to his body, and the way they move, clearly reveal there's an actor inside his suit, and that these two heads are actually arm puppets. In other films, the heads were moved by strings, producing a much less fake-looking effect.
- Citations
SDF Adm. Taizô Tachibana: At the end of the last century, a similar monster to Godzilla attacked the United States. The existence of abnormal organisms have since been reported around the world.
Soldier one: That was Godzilla after all, right?
Soldier two: The Americans reported it as that. Our academics don't agree.
- Autres versionsDuring the November premier, in addition to the unfinished special effects shots, the score was incomplete. It has been remixed since then.
- ConnexionsFeatured in Cinemassacre's Monster Madness: Godzilla 1998 (2008)
- Bandes originalesGodzilla Theme
Track from "Godzilla Vs. King Ghidorah" - 1991
Ending Credits Theme 1
Composed by Akira Ifukube
Only two aspects of Daikaijû sôkôgeki bothered me. First, you were asked, again, to play a 'bad guy'. Second, your make-up was so awful that it was at times, impossible to see that it was actually you in this film. Even this however, could not prevent me from noticing that this script was a great big leap ahead of most of the rubbish you've recently chosen for your roles. All of your true fans know that your Tokyo destructive rampages are inspired by a single desire - to locate and destroy once and for all the Toho Productions studio, and that once you've destroyed it, your final purpose will be fulfilled. Yet, in this film, you had to pretend that you symbolize the collective guilt of the Japanses people. While this is certainly an interesting and philosophical not to mention political spin and it certainly made your unpleasant behavior tolerable for some people, I am wondering if you will ever get a great role showing your true colors - as a protector of all living things (Japanese and otherwise) - again.
Your acting, and your supporting cast, even the very small hairless apes, were positively stellar in this film, and the production values were good enough to inspire me to plead with you to spare Toho from the revenge you certainly deserve for their occasional attempts to ruin your career, your public image, and your family life. Despite your bad facial makeup, you, Mosura and Kingu Gidorâ were all shot beautifully with some of the best split screen and blue screen work I have ever seen. Although it bothered me that Gidorâ was cast in the role of saving japan, and that he even joined that overgrown spray-painted house fly Mothra in this effort, I am certainly glad that, despite the Americanized title - something like "Giant Monsters All Out Attack" - was not really what this film was about. I'm glad the director allowed the characters some time to develop and to construct an interesting set of subplots between scenes of mass devastation.
I don't blame you for avoiding Hollywood, especially after that film they claimed to be about you which they they hired one of your stunt doubles to do a few years ago. And this film gives reason to think there is hope for the Toho production company after all. But, the offer still stands. Retirement in Hollywood could really be a good time for you, and again, I can think of at least a few states with habits of electing famous middle-aged and older thespians of grand stature and size to public office. Besides, if you got cast in a bad role here in the USA, just imagine the popularity with which your first rampage through southern California would be received! So the prospects are unlimited here. Give it some thought!
- mstomaso
- 28 mars 2005
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 400 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 18 623 382 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1