Ajouter une intrigue dans votre langueNathalie teaches Sandrine that sexual transgression can cause violent pleasure and give those who use it a powerful weapon to climb the social hierarchy. They decide to get a job in a bank, ... Tout lireNathalie teaches Sandrine that sexual transgression can cause violent pleasure and give those who use it a powerful weapon to climb the social hierarchy. They decide to get a job in a bank, a place where victims abound.Nathalie teaches Sandrine that sexual transgression can cause violent pleasure and give those who use it a powerful weapon to climb the social hierarchy. They decide to get a job in a bank, a place where victims abound.
- Prix
- 2 victoires au total
- Delacroix
- (as Roger Mirmont)
- Sandrine's Mother
- (as Lisa Hérédia)
Histoire
Le saviez-vous
- AnecdotesIn 2005, Jean-Claude Brisseau was sentenced to a one-year suspended prison sentence and a EUR 15,000 fine for sexual harassment on two actresses (Noémie Kocher and Veronique Hirat) between 1999 and 2001 during auditions for the film. A year later, the director was again sentenced after the declaration of a third victim (Julie Quéré). The auditions called for the young women to masturbate themselves or one another in hotel rooms or in public places. Brisseau sometimes filmed the sessions, but not always. According to the actresses, the director sometimes masturbated himself - a claim he recognized during the investigation but denied during the trial. The auditions were repeated over several years before the director dropped the actresses claiming that they did not fit the part. Brisseau always said the auditions were conducted solely for artistic reasons.
- GaffesThe level of champagne in Sandrine's glass varies from shot to shot on the first night in Nathalie's apartment.
- Citations
Nathalie: Next chapter: Men, a user's manual. First pick a good one. But don't fall all over him. Play the good, innocent little girl. Let him play protector.
Sandrine: We can all do that. Guys just want to get laid and move on.
Nathalie: That's why you don't fuck 'em. At least not just like that. Without letting on, study them, get them talking. Discover their weak spots and passions: money, cars, I dunno... success, work. When you find out, you flatter them. Then, once you've chosen your man, you yield to him. Never on the first date. He'll think you're easy. Don't wait too long, either. After 3 or 4 dinners, then give him the works. Give him pleasure, make him think only he can make you climax, play the happy, docile woman, but not for too long. Soon in bed, you stop faking. Not seeing you climax will get him all worked up. Then without warning, drop him and start fooling around. Overtly. One night stands. If possible, with another woman. It'll humiliate him, drive him nuts. He'll come crawling back.
Sandrine: It works every time?
Nathalie: Just about. That's the mystery of human nature... we want what resists or escapes us.
Sandrine: Who taught you that?
Nathalie: Life. My mother. But she and I were poor. I also read a lot. I had schooling like you. It didn't keep us from enduing in the same strip club. We women lack confidence and daring. Someone always has to be behind us, egging us on. We're a bit like the working class. My mother said they'd stay that way for one reason: they didn't dare move up. "Dare!" That's what she'd always say. She knew about human nature.
Sandrine: Meanwhile, no guy ever made me come.
Nathalie: I know. And that's just fine!
Sandrine: If you say so.
Nathalie: You'll soon understand. What'd you do with your guy?
Sandrine: I faked it.
Nathalie: Why?
Sandrine: I wanted to make him happy.
Nathalie: No, you felt guilty, thinking it was your fault. You were wrong. Lesson 3: femmes fatales are usually narcissists or lesbians. They're frigid with men. They come when they want to, which isn't often. It's their strength. With famous courtesans...
Sandrine: Want to make me a call girl?
Nathalie: No, I'm teaching you about life. Now, with famous courtesans each guy wanted to succeed where others had failed. Pride will make a man spend a fortune to be seen with them. Frigidity helps with men. Sex enslaves you. The slave must be the other. Now you can come on your own, you're free. Get it?
Sandrine: What about love?
Nathalie: Our Enemy Number One. The real risk. In war, if you stop to think, you die. If we fall in love, we're done for. Has your life been such a thrill until now? Be realistic: no one'll help you change your life. True love can wait. Now show me how you fake it.
- ConnexionsReferenced in Le cinéma selon Brisseau (2007)
Now, had this been tongue in cheek - and I'm not saying whose tongue, in whose cheek - had M Jean-Claude Brisseau, the director, used a lighter or defter touch, the sensual side would have melted our Haagen-Dazs and there could still have been a thought-provoking moral aspect, reflecting the power of, well, the femme fatale.
As it is, the film gets lost towards the end, implying that the playboy office boss is the real manipulator and the girls are mere pawns. The joyous, impish scenes when the two women dare one another to surreptitiously remove their underwear whilst seated in the subway, are long forgotten. Thankfully, Sabrina Seyvecou's natural charms are sufficient to blot out any significant disappointment. She could conquer my office any time.
I think the Haagen-Dazs has left a stain. At least, I think it's the Haagen-Dazs...
- michael-1151
- 18 août 2006
- Lien permanent
Meilleurs choix
- How long is Secret Things?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Secret Things
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 105 090 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 421 $ US
- 4 janv. 2004
- Brut – à l'échelle mondiale
- 234 255 $ US