ÉVALUATION IMDb
3,6/10
18 k
MA NOTE
Un mondain snob s'échoue sur une île méditerranéenne avec un marin communiste.Un mondain snob s'échoue sur une île méditerranéenne avec un marin communiste.Un mondain snob s'échoue sur une île méditerranéenne avec un marin communiste.
- Prix
- 8 victoires et 8 nominations au total
George Antoni
- Chef
- (as George Yiasoumi)
Anna Cachia
- Fishmonger
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesWhen the studio screened À la dérive (2002) for Lina Wertmüller, the director of the original film, it is alleged that she left the theatre at the end crying out: "What did they do to my movie? Why [did] they do this?"
- GaffesThe wine bottle changes as Amber does charades.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Worst Films of 2002 (2003)
- Bandes originalesCome On-a My House
Written by Ross Bagdasarian and William Saroyan
Published by Armen Bagdasarian (ASCAP)
Used by kind permission of Universal/MCA Music for World (Ex. USA & Canada)
Performed by Della Reese
Licensed courtesy of RCA Records and BMG Entertainment International UK & Ireland Ltd.
Commentaire en vedette
I watched Swept Away having little else to do, and part of me wished I had read a magazine or an opera DVD instead. Swept Away has few, if any at all, redeeming qualities at all, and there were times where I wished I could turn off the television but reminded myself that is not a fair way to judge a movie.
Guy Ritchie's direction for starters is very unimaginative, and the camera work and editing don't have any real charm to them, the camera work is not amateurish as such but shows nothing out of the ordinary, and the editing could've been smoother at times.
The script is very hackneyed, the comedic elements are forced and the romantic elements sappy. Also it has the feel of a bad 70s TV drama. The concept has been done to death but that wasn't necessarily a turn off, but the pace is turgid and the story itself doesn't have any interest at all.
Likewise with the characters. They don't feel like characters or real people at all, just overdone caricatures. Jeanne Tripplehorn gets the worst of it, and her overdone performance suffers from it. Madonna only so far has impressed me in Evita, but her performance here is lifeless and disengaged here.
Only two things have any real spark. One is the striking scenery and the other is the earthy charm of Adrianno Giannini. However these two are not enough to salvage the movie from being an insipid bore. All in all, not recommended. 1/10 Bethany Cox
Guy Ritchie's direction for starters is very unimaginative, and the camera work and editing don't have any real charm to them, the camera work is not amateurish as such but shows nothing out of the ordinary, and the editing could've been smoother at times.
The script is very hackneyed, the comedic elements are forced and the romantic elements sappy. Also it has the feel of a bad 70s TV drama. The concept has been done to death but that wasn't necessarily a turn off, but the pace is turgid and the story itself doesn't have any interest at all.
Likewise with the characters. They don't feel like characters or real people at all, just overdone caricatures. Jeanne Tripplehorn gets the worst of it, and her overdone performance suffers from it. Madonna only so far has impressed me in Evita, but her performance here is lifeless and disengaged here.
Only two things have any real spark. One is the striking scenery and the other is the earthy charm of Adrianno Giannini. However these two are not enough to salvage the movie from being an insipid bore. All in all, not recommended. 1/10 Bethany Cox
- TheLittleSongbird
- 7 oct. 2011
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Swept Away?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Swept Away
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 598 645 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 354 052 $ US
- 13 oct. 2002
- Brut – à l'échelle mondiale
- 1 036 520 $ US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant