ÉVALUATION IMDb
6,3/10
34 k
MA NOTE
Une journée dans la vie d'un salon de coiffure du sud de Chicago.Une journée dans la vie d'un salon de coiffure du sud de Chicago.Une journée dans la vie d'un salon de coiffure du sud de Chicago.
- Prix
- 1 victoire et 17 nominations au total
Cedric The Entertainer
- Eddie
- (as Cedric the Entertainer)
Lahmard J. Tate
- Billy
- (as Lahmard Tate)
Histoire
Le saviez-vous
- AnecdotesThe cast spent a month training at a barber college to prepare for their roles. Only Troy Garity had had previous hair-cutting experience.
- GaffesWhen Calvin is driving Ricky, after Ricky throws the gun in the river, he makes a left turn. His hands move and the background scenery changes accordingly, but he only slides his hand over the steering wheel, which stays still.
- Citations
Eddie: There are three things that Black people need to tell the truth about. Number one: Rodney King should've gotten his ass beat for being drunk in a Hyundai in a white part of Los Angeles. Number two: O.J. did it! And number three: Rosa Parks didn't do nuthin' but sit her Black ass down!
- Autres versionsUK video version was edited (for language) by 51 sec. to secure a '12' rating. Additionaly some of the supplementary material for the DVD was cut (47 sec.) to keep the video rating. An uncut '15' was available to the distributor.
- ConnexionsFeatured in Uncensored Comedy: That's Not Funny! (2003)
- Bandes originalesTrade It All (Part 2)
Written by Brandon Casey (as B. Casey), Brian Casey (as B. Casey), Duro (as K. Ifill),
Fabolous (as J. Jackson), DJ Clue (as E. Shaw), Loon (as C. Hawkins)
Performed by Fabolous featuring Sean 'Diddy' Combs (as P. Diddy) & Jagged Edge
Courtesy of Desert Storm/Elektra Records
Commentaire en vedette
When I first saw the plot and cast for this movie I was filled with little hope that this film would be any more than a stereotypical look at black/urban culture with the characters rhyming words for supposed comic effect ad the scriptwriter fitting a screenplay around the jokes. It us easy to forget that the film's protagonist, Ice Cube (who gave a fine performance) had just come off making the awful 'All About the Benjamins' which fell into the trap of so many of these comedies based around black people. Added to the fact that 'Barbershop' was released when there had been a spate of these sub-standard pictures such as 'How High', Friday After Next' and 'State Property', you can understand why I approached this movie with no expectations.
Thankfully I was proved wrong as 'Barbershop' followed a simple structure to work. It had solid direction, a commendable screenplay, was well acted but more important than any of that, it was a story worth telling and that is the one thing that good films have in common. However, this does not mean that this movie followed the conventional ways of Hollywood and 'sold out' to appeal to a mass audience. If anything pleased me most about the film it was the fact that it retained a true sense of representing the black community and credit for this goes to the high standards of dialogue and acting. People who live in the suburbs can watch in the knowledge that they're getting a window into another culture, while people in urban communities can watch this with a comforting sense of familiarity. Another reason for this is that the screenplay is informed enough to not 'pigeon hole'. The characters are well rounded, with both positive and negative traits and the movie is not surrounded by guns,single mothers and drugs. This is not not to say these issues are ignored, as they are connected with one the film's major plot strands but despite the mass media sterotype (to which not all black people are unaccountable) the 'ghettos' of America are primarily filled with honest, hard-working people who just trying to make the best of an unenviable situation. While previous urban films have made a point of blaming 'whitey' and 'the man' for the troubling issues surrounding black people, 'Barbershop' looks closer to home and encourages black people to take responsibility for themselves and to break away from nature of 'frontin' that is slowly paralysing urban communities. One of the films best quotes is 'Dont buy yourself a Benz when your living with your mama! And black people; please can we be on time for something other than free before 10 at the club'. I think this is a wonderful statement and it encourages black people to reject the notion of style over content as that is what the film does as well.
Added to this the well-rounded nature of the film is a diatribe from Cedric The Entertainer (who's performance is almost as hilarious as his stand-up act) about black icons such as Rosa Parks, Jesse Jackson and Martin Luther King. This is probably the most provocative section of the film and initially made me question the validity of these icons but after reflection, it made me realized that even Martin Luther King was a human being with flaws but that doesn't take away from his legacy. Regardless what's been said about Jesse Jackson he's still the first black man to run for President and nothing will ever take that away from him.
While Cedric the Entertainer took most of the acting plaudits, this was a great ensemble piece that was well acted all round. My only gripe is that why can't other films of this nature stay true to black culture but also have a cinematic soul
Thankfully I was proved wrong as 'Barbershop' followed a simple structure to work. It had solid direction, a commendable screenplay, was well acted but more important than any of that, it was a story worth telling and that is the one thing that good films have in common. However, this does not mean that this movie followed the conventional ways of Hollywood and 'sold out' to appeal to a mass audience. If anything pleased me most about the film it was the fact that it retained a true sense of representing the black community and credit for this goes to the high standards of dialogue and acting. People who live in the suburbs can watch in the knowledge that they're getting a window into another culture, while people in urban communities can watch this with a comforting sense of familiarity. Another reason for this is that the screenplay is informed enough to not 'pigeon hole'. The characters are well rounded, with both positive and negative traits and the movie is not surrounded by guns,single mothers and drugs. This is not not to say these issues are ignored, as they are connected with one the film's major plot strands but despite the mass media sterotype (to which not all black people are unaccountable) the 'ghettos' of America are primarily filled with honest, hard-working people who just trying to make the best of an unenviable situation. While previous urban films have made a point of blaming 'whitey' and 'the man' for the troubling issues surrounding black people, 'Barbershop' looks closer to home and encourages black people to take responsibility for themselves and to break away from nature of 'frontin' that is slowly paralysing urban communities. One of the films best quotes is 'Dont buy yourself a Benz when your living with your mama! And black people; please can we be on time for something other than free before 10 at the club'. I think this is a wonderful statement and it encourages black people to reject the notion of style over content as that is what the film does as well.
Added to this the well-rounded nature of the film is a diatribe from Cedric The Entertainer (who's performance is almost as hilarious as his stand-up act) about black icons such as Rosa Parks, Jesse Jackson and Martin Luther King. This is probably the most provocative section of the film and initially made me question the validity of these icons but after reflection, it made me realized that even Martin Luther King was a human being with flaws but that doesn't take away from his legacy. Regardless what's been said about Jesse Jackson he's still the first black man to run for President and nothing will ever take that away from him.
While Cedric the Entertainer took most of the acting plaudits, this was a great ensemble piece that was well acted all round. My only gripe is that why can't other films of this nature stay true to black culture but also have a cinematic soul
- shanethomas190
- 9 juill. 2004
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Barbershop?Propulsé par Alexa
Détails
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 75 782 105 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 627 433 $ US
- 15 sept. 2002
- Brut – à l'échelle mondiale
- 77 063 924 $ US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Chez le barbier (2002) officially released in India in English?
Répondre