Ethan Hunt, agent de Mission Impossible, entre en conflit avec un trafiquant d'armes dangereux et sadique qui menace sa vie et celle de sa fiancée.Ethan Hunt, agent de Mission Impossible, entre en conflit avec un trafiquant d'armes dangereux et sadique qui menace sa vie et celle de sa fiancée.Ethan Hunt, agent de Mission Impossible, entre en conflit avec un trafiquant d'armes dangereux et sadique qui menace sa vie et celle de sa fiancée.
- Prix
- 7 victoires et 14 nominations au total
Histoire
Le saviez-vous
- AnecdotesAs the production could do nothing about inquisitive crowds watching them while they were filming in Rome, they actually set up a phony second unit a little further away, hired several girls in bikinis and several older women dressed as nuns and pretended to be filming takes for the film, while the main unit got on with their business largely undisturbed.
- Gaffes(at around 1h 22 mins) Luther states Ethan is going to use a "fulcrum" to swing from one building to another in order to steal the Rabbit's Foot when in fact what the team uses is a pendulum. A fulcrum is a point for a lever to act upon, a pendulum swings under the influence of gravity.
- Citations
Ethan Hunt: I'm part of an agency... called the IMF.
Julia: What's that stand for?
Ethan Hunt: Impossible Mission Force.
Julia: [chuckles] Shut up.
- Générique farfeluSpecial Thanks: The Hanso Foundation.
- ConnexionsFeatured in Mission: Remarkable - 40 Years of Creating the Impossible (2006)
- Bandes originalesThe Mission: Impossible Theme
Written by Lalo Schifrin
Commentaire en vedette
In this third film of the series, Ethan Hunt has retired from the field, and is training new agents
. His sweetheart Julia (Michelle Monaghan) thinks he works for the Department of Transportation
When one of his pupils is kidnapped by a sadistic arms dealer Owen Davian (Philip Seymour Hoffman), Hunt decides to assemble his old team to retrieve her, putting in mortal danger his new love
J.J. Abramsin his first feature filmshot "Mission: Impossible III" with a sense of timing and suspense We're dealing with full-flash blanks, glass breaking, explosions And we see Hunt, in a quite interesting shot, running up a wall to enter the Vatican Also, in the bridge sequence, he runs away from a rocket hit on one of the vehicles It's cool because the way he's running, the look on his face, before, during and after that impact could only have been done only by an actor as good as him In China, in an old fishing village, we see him jumping off tile rooftops, with incredible grace, precision, coordination and footwork Then, with Lindsey Farris (Keri Russell) they jump out of a building on a cable landing on a truck
The special effects, and visual effects are great They all work together... The Shanghai street chase with Tom leaning out of the car at some insanely dangerous angle to shoot a gun under a truck; Also Tom, in a high-speed boat, on the Tiber River in Rome, Italy; the blowing of a nice spectacular sports car; and, of course, the helicopter chase sequence where, in pursuit, the bad-guy helicopter emerges out of a fireball
Also, in a fantastic shot, in Shanghai, China, when the camera comes in and then goes around Tom as he's standing on top of a Shanghai roof The camera comes over his shoulder and look down at the ground, so we'll see Tom on the top of the Shanghai building, hundreds feet in the air, and just to show and set up the jeopardy of what he's about to accomplish
Well, I loved the director's work He's so detail-oriented The fun, the adventure, the creativity, never eased up
And, please, don't miss Colleen Atwood, entering the Vatican, with a head-turner red dress
When one of his pupils is kidnapped by a sadistic arms dealer Owen Davian (Philip Seymour Hoffman), Hunt decides to assemble his old team to retrieve her, putting in mortal danger his new love
J.J. Abramsin his first feature filmshot "Mission: Impossible III" with a sense of timing and suspense We're dealing with full-flash blanks, glass breaking, explosions And we see Hunt, in a quite interesting shot, running up a wall to enter the Vatican Also, in the bridge sequence, he runs away from a rocket hit on one of the vehicles It's cool because the way he's running, the look on his face, before, during and after that impact could only have been done only by an actor as good as him In China, in an old fishing village, we see him jumping off tile rooftops, with incredible grace, precision, coordination and footwork Then, with Lindsey Farris (Keri Russell) they jump out of a building on a cable landing on a truck
The special effects, and visual effects are great They all work together... The Shanghai street chase with Tom leaning out of the car at some insanely dangerous angle to shoot a gun under a truck; Also Tom, in a high-speed boat, on the Tiber River in Rome, Italy; the blowing of a nice spectacular sports car; and, of course, the helicopter chase sequence where, in pursuit, the bad-guy helicopter emerges out of a fireball
Also, in a fantastic shot, in Shanghai, China, when the camera comes in and then goes around Tom as he's standing on top of a Shanghai roof The camera comes over his shoulder and look down at the ground, so we'll see Tom on the top of the Shanghai building, hundreds feet in the air, and just to show and set up the jeopardy of what he's about to accomplish
Well, I loved the director's work He's so detail-oriented The fun, the adventure, the creativity, never eased up
And, please, don't miss Colleen Atwood, entering the Vatican, with a head-turner red dress
- Nazi_Fighter_David
- 12 août 2007
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Misión: Imposible III
- Lieux de tournage
- Xitang, Chine(canal scenes)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 134 029 801 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 47 743 273 $ US
- 7 mai 2006
- Brut – à l'échelle mondiale
- 398 479 497 $ US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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