Du soleil plein la tête

My Rating : 9/10

"I ditched work today. Took a train out to Montauk. I don't know why. I'm not an impulsive person. I guess I just woke up in a funk this morning. "

Gorgeous filmmaking. An absolute must-see!

Superb screenplay writing and performances.

There's only one way to describe "Eternal Sunshine Of The Spotless Mind": perfect. It's been one week since I saw the movie and I still cannot stop thinking about it. Was the ending happy or sad? I cannot tell, but it's deeply touching.

Charlie Kaufman is incredible. How does he come up with all these original, flawless scripts? Finally there's someone who uses the possibilities of cinema to the fullest. I love the way Kaufman shows the fate of individuals and derives universally true rules from it. The content of his story is always highly philosophical without ever being smart alec.

Some say "Eternal Sunshine..." was over-directed. I disagree. Having read the script, I know that Gondry deserves lots of credit for bringing this beautiful story to life. Sure, there are five creepy images per minute, but have you ever seen such an original, weird picture? Mind you, I'm not saying that lots of effects automatically make for a good direction, but in this case it really helped to underline the story, not distracting from it.

Jim Carrey... wow! I've always liked him as the hilarious Comedian he is, but I never thought that his performances in "The Truman Show" and "Man On The Moon" were that much of a departure from his funny-man side. As Joel, however, he is a completely different person. It's like Jim Carrey had a serious twin brother. Unbelievable. I bow to this performance! Give this man more chances to show his acting abilities, I say!

Finally I have to mention Beck's cover of "Everybody's Gotta Learn Sometime", which fits perfectly into the movie and won't leave my CD-Player for the next months.

A movie like "Eternal Sunshine..." really shows how much time and money Hollywood wastes on producing crap like "Bad Boys" or "The Fast & The Furious", and its box office result demonstrates how little people care about quality in movies. Personally, I have found my first contender for best motion picture of the year. I need to see the movie again, because I have a feeling that this one gets even better with each viewing. I can't wait until it's released on DVD.

I feel the need to say more, but I can't put my feelings into (English) words. All I can say is: GO SEE THIS MOVIE! You won't regret it.

Michel Gondry, credited as the director and co-writer of Eternal Sunshine of the Spotless Mind, is only partly responsible for the success that the film achieves. He implements a awe-inspiring blend of style to a story that is perfectly non-linear. But then there is also the madman genius of the current screen writing plane- Charlie Kaufman- who has written three of the most ingenious, funny, and human of "little" Hollywood movies (Being John Malkovich, Adaptation, Confessions of a Dangerous Mind).

He understands, and perhaps likely experienced to a degree, what a relationship holds to- the truth, to understanding, and then when it ends, how out memory changes the relationship. Enter in the concept that makes 'Eternal Sunshine' something of a un-official science fiction film - the Lacuna corporation, led by Tom Wilkinson's character, can erase just one person out of your memory, all of the experiences that you and the significant other had. So, when Joel (Jim Carrey) goes in to erase his memory of Clementine (Kate Winslet) after finding out she did just the same, he enters into a mind-warp. He goes through memories they had, happy ones, sad ones, some that are just what makes up what you have emotionally with the one you've loved. And sometimes, and to the behest of the assistants of Lacuna (Kirsten Dunst, Elijah Wood, Mark Ruffalo), Joel doesn't want them all to be erased.

As I mentioned, the plot is non-linear, which could've gone the wrong way if not done with skill. With a film like 21 Grams, which has a talented director and cast, the non-linear structure isn't necessary. But it's an asset that the story doesn't start from A to Z. To assist Gondry with this, he has the extraordinary Ellen Kuras as DP and Valdís Óskarsdóttir, an editor from Iceland. Their collaboration is crucial with Gondry and Kaufman (and co-writer Pierre Bismuth), as they bring all of these un-real images a real quality. Quite simply, there isn't a finer example of surrealism crossbred with realism in any other American film so far this year. The usage of lights, cuts, and with the kinds of special effects not expected (i.e. no CGI), add to the effect it has on a viewer. That the characters of Joel and Clementine are as enveloping as they are is also a credit to Kaufman.

But then there's one more part that completes the success of the film - the acting. Jim Carrey, very simply, is at his very best. He finds a balance from certain scenes in being like people we see everyday, feeling low, not much of interest, inward. And then when the memory erases begin, we get to see him act funny, but not like the kind of humor he brought with Ace Ventura or Dumb and Dumber. This is Carrey knowing this character just well enough to play off his counterpart, played by Winslet. She, meanwhile, is perhaps at her best. Her character is eccentric, funny, insightful, and wanting. She pulls it off. As do the supporting actors.

There's not much more I can say about this film, except to say that even after seeing it three times, I feel like I could watch it over and over and see a new shot, a new sequence, and new set of emotions tied to things. It's one of the great romantic dramedies of the decade.

After a lukewarm reception in 2001 with "Human Nature", Charlie Kaufman has teamed up with director, Michel Gondry again for this romatic fantasy. With a name like Jim Carrey, this second collaboration couldn't go wrong in terms of box office success, and nor should it as this film is quite simply brilliant.

"Eternal Sunshine" centres around the life of Joel (Jim Carrey) a shy, mild mannered man who is heart broken after splitting from his feisty, impulsive girlfriend, Clementine (Kate Winslet). A short while after their split, he meets her again while she is working at a library and he is stunned to discover that she doesn't recognise him. He later finds out that the reason for this is that Clementine has had her memory of Joel wiped out completely. Dr Howard Mierwick (Tom Wilkinson) has performed an operation on her brain after Clementine visited his clinic to forget Joel. Much to Joel's distress, he decides to do the same, but during his operation he revisits memories of Clementine that he struggles to let go of.

If anyone was in doubt as to whether Jim Carrey can act, this is the film that will put all doubt out of the way. He performs with sensitivity and warmth, never once verging on the manic rubber faced lunacy to which he is most well known for. Out of all the perfomances where he has stepped into the dramtic role (The Truman Show, Man on the Moon, The Majestic), this has got to be his best yet. Kate Winslet is also brilliant as his unpredictable, adventurous girlfriend.

Kaufman's story of a man going into a surreal dream world is not too dissimilar from his earlier work, "Being John Malkovich". You have off the wall images such as Carrey re-enacting his 4 year old self along his journey in his head. The eccentricity of the story, which is Kaufman's trademark, once again works excellently. When watching this you generally care for Carrey and Winslet, in much the same way as Bill Murray and Scarlett Johansson in "Lost In Translation". Gondry's diection gives a bittersweet flavour to the tale.

The sub plots involving the supporting characters who are operating are ingenius. Tom Wilkinson once again proves that he is one of the best British actors of his generation and he is backed up by great performnces from Kirsten Dunst and a post-LOTR Elijah Wood.

This is a lovely film and if you like originality with a sense of fantasy with a love story, then I suggest you see it. It's one of those films you'll want to see twice.

The first time I saw this movie I found it confusing, a little artsy for my taste and I didn't get it.

But I didn't come in here to give it a 1 point rating or a damning review just because I didn't get it. It would be kind of stupid to pass judgement on a film that I didn't fully understand.

Some years later I watched it for the second time. My ex had just left me, and I don't remember how and why I came by this movie again. But the second time I got it. And how life would be like a bleak dessert, frozen in time, in the eternal sunshine of a spotless mind.

And after watching it a second time I felt hopeful again.