Marie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une t... Tout lireMarie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une terrible nuit sans fin.Marie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une terrible nuit sans fin.
- Prix
- 6 victoires et 9 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe camera used during the car-attack scene got so much fake blood on it during shooting that when it was being used on another film later on fake blood oozed from it during the focusing of a shot.
- GaffesThe killer takes the ax out of the gas station clerk, so he had to have flipped him over to do so. So it makes sense why the clerk is on his back in a later scene.
- Autres versionsLions Gate was originally going to release the film uncut with an NC-17 rating theatrically but theaters were not too happy with the idea so Lion Gate cut about 2 minutes for the US theatrical release to secure a "R" rating. The changes were:
- Alex's father is graphically decapitated with a bookcase, his headless neck spraying blood. In the R-rated version, the initial killing is implicit rather than explicit, and later, during a flashback, his killing is gone.
- The scene of the killer applying a concrete saw to the stomach of the man driving the car was edited shorter
- When Alex's mother has her throat slashed, the scene is edited short; most of the arterial spurting, as the killer pulls back her head, is gone. The shot of her severed hand also is removed, leaving no indication of what exactly happened to her.
- The scene where Marie strikes the killer's face in with the barbed wire post is shortened and less explicit; Marie hits the killer fewer times, and there are fewer details of the killer's wounds shown.
- Bandes originalesA2
extrait from Célébration
(François-Eudes Chanfrault)
Recorded, Performed and Mixed by François-Eudes Chanfrault
(P) 2002 MK2 Music
Editions: 2002 Ciné Nada Music
Commentaire en vedette
This film seems to me to lack balance between the combination of elements that it blends together: the thriller-suspense factor, the gore, and the "surprise" factor. It is a very irregular film, but it still boasts good style and good manners in atmosphere-building, even if it doesn't really live up to meet the expectations, at least for me.
The story goes about Marie and Alexia, best friends who drive up to Alexia's parents' countryside house, hoping to find some peace for studying. Instead, they'll have to fight a psychopathic killer in a macabre cat-and-mouse game.
The best part, in my opinion, is the mise-en-scene and the introduction of the characters and the storyline. Everything in those first sequences tells us that something horrible is going to happen, not only because we already know that we're watching a horror film. The dusty road, the scorching weather, the big corn fields... the real feel of a horror story scene is there. It increases with the night scenes, the shots of the house, the staircase, the corridors. The gloominess and inherent darkness of the place and the quiet surroundings perfectly do their job of preparing us for what's to come.
The story-telling loses steam after this part. Not being a big fan of gore, I didn't really care for the bloody murder scenes, but I'm sure that they'll be appreciated by many -they're rather truculent and well filmed. The duel between Marie and the killer didn't really work for me; in fact, I found it a little boring. On the whole, I thought the story was unoriginal and predictable, but, contrary to what many say, I don't think it's deceitful -I didn't feel that the director cheats on the audience with the ending. (I won't elaborate on this so as not to spoil the film for those who want to see it).
I have mixed feelings about "High Tension". On the one hand, for me, it is ineffective as a thriller, and flawed as an exercise of story-telling. On the other, however, the murky atmosphere and the darkness of the story and of its subtleties stuck with me for a while after seeing the film. I wouldn't watch it again, but I understand why many like it so much.
The story goes about Marie and Alexia, best friends who drive up to Alexia's parents' countryside house, hoping to find some peace for studying. Instead, they'll have to fight a psychopathic killer in a macabre cat-and-mouse game.
The best part, in my opinion, is the mise-en-scene and the introduction of the characters and the storyline. Everything in those first sequences tells us that something horrible is going to happen, not only because we already know that we're watching a horror film. The dusty road, the scorching weather, the big corn fields... the real feel of a horror story scene is there. It increases with the night scenes, the shots of the house, the staircase, the corridors. The gloominess and inherent darkness of the place and the quiet surroundings perfectly do their job of preparing us for what's to come.
The story-telling loses steam after this part. Not being a big fan of gore, I didn't really care for the bloody murder scenes, but I'm sure that they'll be appreciated by many -they're rather truculent and well filmed. The duel between Marie and the killer didn't really work for me; in fact, I found it a little boring. On the whole, I thought the story was unoriginal and predictable, but, contrary to what many say, I don't think it's deceitful -I didn't feel that the director cheats on the audience with the ending. (I won't elaborate on this so as not to spoil the film for those who want to see it).
I have mixed feelings about "High Tension". On the one hand, for me, it is ineffective as a thriller, and flawed as an exercise of story-telling. On the other, however, the murky atmosphere and the darkness of the story and of its subtleties stuck with me for a while after seeing the film. I wouldn't watch it again, but I understand why many like it so much.
- Agnelin
- 15 juill. 2006
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Détails
Box-office
- Budget
- 2 200 000 € (estimation)
- Brut – États-Unis et Canada
- 3 681 066 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 897 705 $ US
- 12 juin 2005
- Brut – à l'échelle mondiale
- 6 291 958 $ US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- DTS
- Dolby Digital EX(original version)
- Rapport de forme
- 2.35 : 1
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