ÉVALUATION IMDb
5,8/10
56 k
MA NOTE
Des frères siamois de Martha's Vineyard déménagent à Los Angeles afin que l'un d'eux puisse poursuivre une carrière d'acteur.Des frères siamois de Martha's Vineyard déménagent à Los Angeles afin que l'un d'eux puisse poursuivre une carrière d'acteur.Des frères siamois de Martha's Vineyard déménagent à Los Angeles afin que l'un d'eux puisse poursuivre une carrière d'acteur.
- Prix
- 2 nominations au total
Histoire
Le saviez-vous
- AnecdotesAt the beginning of the movie, when the twins are getting out of bed, there is a shot that shows their feet on the floor and there appears to be a face under the bed. It's rumored to be baseball equipment, but it's actually the executive producer, hiding to see if directors Bobby Farrelly and Peter Farrelly would notice. They didn't.
- GaffesOn the way to the hospital, when Morty pulls up next to the moving car in his scooter, he is holding a cigar in his hand; the smoke is blowing forward, not backward as it should on a moving vehicle.
- Citations
Doctor 1: I'm afraid... we lost them.
[girls gasp and begin to cry]
Doctor 1: [other doctor enters]
Doctor 2: It's okay, they'd been taken up to the top floor. We found them.
- Générique farfeluLate in the end credits Rocket thanks the cast and crew for giving him a chance to act
- Bandes originalesHere Comes Your Man
Written by Frank Black (as Black Francis)
Performed by Pixies (as The Pixies)
Courtesy of 4AD
Commentaire en vedette
There's something about this `Stuck on You' that sticks to me after my initial impression that the Farrelly Brothers have created another inane comedy to compete with their equally dubious `Dumb and Dumber' franchise, `Shallow Hal, ' and `There's Something about Mary,' among others. That something is taking a story about goofy conjoined twins (Matt Damon and Greg Kinnear), tossing in bathroom and masturbation jokes, and then seeing a basic metaphor about the loss people feel when separated from another human being with whom they have spent their lives.
I commend the Farrellys because `Stuck on You' does not play for the broadest laughs but gently lampoons pretentious Hollywood and overtly praises the sincere emotions of two linked humans and the New England town that loves them regardless of their disability. I liked the connection of two innocent, loving brothers, who miss each other after separation. I liked botoxed Cher's presence to emphasize the decayed humanity of L.A., which sees clearly the business profit in deformity.
On another allegorical level, the twins could be the projection of the Farrellys themselves, going to Hollywood to exploit its penchant for seizing on the flavor of the month, regardless of its incorrectness or inhumanity and facing their own eventual split (Bobby is considering cutting back on their productions). The Farrellys are not the Coens, whose satire is more Kaufmans' `Adaptation' (Even if the brother is only imagined) than Zuckers' `Airplane.' But the Farrellys' five major motion pictures make them as bankable as any other successful brothers in the business.
Seeing diva Cher make fun of herself and Meryl Streep cutup as co-star with Kinnear in a musical stage production of `Bonnie and Clyde'(Think `Springtime for Hitler') are a couple of reasons to see this film. The best reason, however, is to enjoy the lighthearted interaction of two brothers who learn that nature's cruel marriage of their bodies gave them the best emotional marriage of their lives. The Farrellys have confirmed the Karl Menninger belief that `to know one another well enough should not be to hate one another the more but to love one another the more.'
Even those of us not conjoined could learn about brotherly love from `Stuck on You.'
I commend the Farrellys because `Stuck on You' does not play for the broadest laughs but gently lampoons pretentious Hollywood and overtly praises the sincere emotions of two linked humans and the New England town that loves them regardless of their disability. I liked the connection of two innocent, loving brothers, who miss each other after separation. I liked botoxed Cher's presence to emphasize the decayed humanity of L.A., which sees clearly the business profit in deformity.
On another allegorical level, the twins could be the projection of the Farrellys themselves, going to Hollywood to exploit its penchant for seizing on the flavor of the month, regardless of its incorrectness or inhumanity and facing their own eventual split (Bobby is considering cutting back on their productions). The Farrellys are not the Coens, whose satire is more Kaufmans' `Adaptation' (Even if the brother is only imagined) than Zuckers' `Airplane.' But the Farrellys' five major motion pictures make them as bankable as any other successful brothers in the business.
Seeing diva Cher make fun of herself and Meryl Streep cutup as co-star with Kinnear in a musical stage production of `Bonnie and Clyde'(Think `Springtime for Hitler') are a couple of reasons to see this film. The best reason, however, is to enjoy the lighthearted interaction of two brothers who learn that nature's cruel marriage of their bodies gave them the best emotional marriage of their lives. The Farrellys have confirmed the Karl Menninger belief that `to know one another well enough should not be to hate one another the more but to love one another the more.'
Even those of us not conjoined could learn about brotherly love from `Stuck on You.'
- JohnDeSando
- 8 déc. 2003
- Lien permanent
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- How long is Stuck on You?Propulsé par Alexa
Détails
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 33 832 741 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 411 055 $ US
- 14 déc. 2003
- Brut – à l'échelle mondiale
- 65 784 503 $ US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was Collé à toi (2003) officially released in India in English?
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