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Ajouter une intrigue dans votre langueWhen a married couple moves into a flat that is haunted by a spirit, a series of inexplicable experiences drive the wife to near madness. Now, the husband must protect his wife to save their... Tout lireWhen a married couple moves into a flat that is haunted by a spirit, a series of inexplicable experiences drive the wife to near madness. Now, the husband must protect his wife to save their marriage.When a married couple moves into a flat that is haunted by a spirit, a series of inexplicable experiences drive the wife to near madness. Now, the husband must protect his wife to save their marriage.
- Prix
- 14 victoires et 12 nominations au total
Tanuja Samarth
- Mrs. Khosla
- (as Tanuja)
Master Akshit
- Manjeet's son
- (as Akshit)
Histoire
Le saviez-vous
- AnecdotesThe film broke several rules of Bollywood formula films and was nonetheless successful. There were no songs, it was only two hours long, it was heroine-centered, and it was a horror story, not a love story.
- GaffesWhen Urmila must climb 12 flights of stairs she is wearing peep-toe sandals with a heel of about 1 inch. But when she enters the flat she is wearing a three-inch heel with straps around the ankle. Similarly, when Rehka first meets Ajay Devgan she is wearing heels. When we see her entering the apartment building she is wearing flat sandals, but once inside the apartment she is wearing another - different - pair of heels.
- ConnexionsAlternate-language version of Shock (2004)
- Bandes originalesBhoot Hai Yahan Koi
Written by Jaideep Sahni
Composed by Amar Mohile
Performed by Asha Bhosle
Courtesy of Super Cassettes Industries Limited (T-Series)
Commentaire en vedette
Not being a huge fan of horror films, and still smarting from my 'Jungle' experience, I began watching 'Bhoot' with some trepidation. 'Bhoot' translates to either 'ghost' or 'spirit', so right away, one knows the subject matter of the film. The title and its succinctness act as a caveat to the faint of heart.
The opening scene has an irritable young man, Vishal, searching, rather unsuccessfully, for rental accommodations in the company of an agent. The broker has shown him several less than satisfactory apartments, and the young man's patience is wearing thin. He points to a towering high- rise building nearby and says, 'That looks like a fine building! Do you have an apartment available there?' We pick up on the broker's nervousness as he responds, 'Actually, yes. But you wouldn't want it.' Vishal insists on seeing the twelfth-floor apartment, which turns out to be huge, even palatial by Mumbai (Bombay) standards, and he cannot understand why the place is still unoccupied. Such an apartment would be snapped up in moments. The broker hesitantly tells him that the previous occupant of the apartment had fallen-or jumped-to her death from the balcony. The pragmatic Vishal retorts that practically all dwellings must have had someone die in them at one time or another, and proceeds to finalize the rental deal. He then moves in with his perky young wife, Swati. With their furniture and belongings, the empty, echoing apartment gets transformed into a comfortable home.
Vishal is a stockbroker, and Swati, a stay-at-home housewife. We gather that they have not been married long; they are playful and romantic, still in the honeymoon phase of marriage. They inherit the previous occupant's maid, so apart from some grocery shopping, there isn't much for Swati to do while she waits for Vishal to return home from work. She sits in front of the TV and channel-surfs distractedly to pass the time.
One such day, the belligerent watchman of the building sneaks into the apartment without knocking and startles her. Swati and Vishal complain to the chairman of the building council, who also happens to be their next-door neighbor. Decrying the lack of good help, the neighbor says there's nothing he can do. As the watchman is a witness in the police investigation of the previous occupant's death, they cannot very well get rid of him. This disclosure comes as a complete surprise to Swati, as Vishal has withheld from her the details of the circumstances in which he came by their new apartment.
The opening scene has an irritable young man, Vishal, searching, rather unsuccessfully, for rental accommodations in the company of an agent. The broker has shown him several less than satisfactory apartments, and the young man's patience is wearing thin. He points to a towering high- rise building nearby and says, 'That looks like a fine building! Do you have an apartment available there?' We pick up on the broker's nervousness as he responds, 'Actually, yes. But you wouldn't want it.' Vishal insists on seeing the twelfth-floor apartment, which turns out to be huge, even palatial by Mumbai (Bombay) standards, and he cannot understand why the place is still unoccupied. Such an apartment would be snapped up in moments. The broker hesitantly tells him that the previous occupant of the apartment had fallen-or jumped-to her death from the balcony. The pragmatic Vishal retorts that practically all dwellings must have had someone die in them at one time or another, and proceeds to finalize the rental deal. He then moves in with his perky young wife, Swati. With their furniture and belongings, the empty, echoing apartment gets transformed into a comfortable home.
Vishal is a stockbroker, and Swati, a stay-at-home housewife. We gather that they have not been married long; they are playful and romantic, still in the honeymoon phase of marriage. They inherit the previous occupant's maid, so apart from some grocery shopping, there isn't much for Swati to do while she waits for Vishal to return home from work. She sits in front of the TV and channel-surfs distractedly to pass the time.
One such day, the belligerent watchman of the building sneaks into the apartment without knocking and startles her. Swati and Vishal complain to the chairman of the building council, who also happens to be their next-door neighbor. Decrying the lack of good help, the neighbor says there's nothing he can do. As the watchman is a witness in the police investigation of the previous occupant's death, they cannot very well get rid of him. This disclosure comes as a complete surprise to Swati, as Vishal has withheld from her the details of the circumstances in which he came by their new apartment.
- nikhilfilmcritic
- 18 juill. 2011
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Ghost
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 106 774 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 60 000 $ US
- 1 juin 2003
- Brut – à l'échelle mondiale
- 3 660 402 $ US
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