ÉVALUATION IMDb
6,7/10
47 k
MA NOTE
Ajouter une intrigue dans votre langueA globetrotting hitman and a crestfallen businessman meet in a hotel bar in Mexico City in an encounter that draws them together in a way neither expected.A globetrotting hitman and a crestfallen businessman meet in a hotel bar in Mexico City in an encounter that draws them together in a way neither expected.A globetrotting hitman and a crestfallen businessman meet in a hotel bar in Mexico City in an encounter that draws them together in a way neither expected.
- Prix
- 1 victoire et 6 nominations au total
Arlin Miller
- Radio DJ
- (voice)
Histoire
Le saviez-vous
- AnecdotesThe movie's screenplay almost never made it to Pierce Brosnan. Richard Shepard said: "I wrote it to make it on digital video for two hundred fifty grand. I wrote the most outrageous character I could (in Julian Noble), because I figured it would never get made in Hollywood."
- GaffesWhen Julian is telling the story about his first mistake in Manila, the camera can be seen, hidden behind palm leaves and bamboo, when two guys holding a mirror are walking through the frame.
- Citations
Julian Noble: I'm as serious as an erection problem.
- Générique farfelu"The filmmakers do not condone bullfighting, but respect its long tradition in the Mexican culture. It was extremely important to the producers that no bulls were harmed because of the production of 'The Matador'. In no way did the producers of this film create, arrange or organize any of the bullfights seen within this movie. Sequences staged by the producers employed fake and computer-generated bulls exclusively. Absolutely no animals were harmed by the production of this movie."
- Bandes originalesA Town Called Malice
(1982)
Written by Paul Weller
Performed by The Jam
Courtesy of Polydor Ltd. (U.K.)
Under license from Universal Music Enterprises
Commentaire en vedette
Pierce Brosnan has sipped his last Martini and returns, in an outrageous self-parody, as the aging foul-mouthed boozy assassin Julian Noble, who has a particular fondness for teenage girls, bullfights and tacky clothes. During a job in Mexico City he meets Danny (Greg Kinnear), a straight-faced Denver suburban business-man, who's in town to make his deal of-a-life-time, in a hotel bar. Despite their completely different personalities and Julian's crude and insensible remarks, they become friends.
Largely carried by the performances of Pierce Brosnan and Greg Kinnear, director Richard Shepard revealed that he didn't write the film with Pierce Brosnan in mind , but I can hardly imagine this without him. He proves to have a real talent for comedy and can be more than just James Bond or cold-war spies. The scene in which the two meet at a glossy hotel bar (stunning sets and beautifully photographed) really is a bravura piece of acting skills. The scene lasts almost fifteen minutes, and although it was probably carefully scripted, the two actors are largely improvising, but they succeed wonderfully! It almost feels like a new standard in screen acting. Think of Robert De Niro and Harvey Keitel in MEAN STEETS improvising and add one of the most subtle underpinnings of many genre clichés and the actors' own typecasting (Brosnan's James Bond in particular), and you got one of the most delightful pairings in recent Hollywood.
Sadly, the story wears thin after a while. After an hour, the film just runs out of steam. Nevertheless, and I can't put my finger on it exactly, I did enjoy this very much. It just feels very fresh and original, with some imaginative use of sets and lighting, and some hints to Seijun Suzuki and Jean-Pierre Melville. The other characters aren't given much to do, but this film does offer something new, in that respect it almost effortlessly succeeds in blending all conventional genres into quite an entertaining spoof. Very amusing.
Camera Obscura --- 7/10
Largely carried by the performances of Pierce Brosnan and Greg Kinnear, director Richard Shepard revealed that he didn't write the film with Pierce Brosnan in mind , but I can hardly imagine this without him. He proves to have a real talent for comedy and can be more than just James Bond or cold-war spies. The scene in which the two meet at a glossy hotel bar (stunning sets and beautifully photographed) really is a bravura piece of acting skills. The scene lasts almost fifteen minutes, and although it was probably carefully scripted, the two actors are largely improvising, but they succeed wonderfully! It almost feels like a new standard in screen acting. Think of Robert De Niro and Harvey Keitel in MEAN STEETS improvising and add one of the most subtle underpinnings of many genre clichés and the actors' own typecasting (Brosnan's James Bond in particular), and you got one of the most delightful pairings in recent Hollywood.
Sadly, the story wears thin after a while. After an hour, the film just runs out of steam. Nevertheless, and I can't put my finger on it exactly, I did enjoy this very much. It just feels very fresh and original, with some imaginative use of sets and lighting, and some hints to Seijun Suzuki and Jean-Pierre Melville. The other characters aren't given much to do, but this film does offer something new, in that respect it almost effortlessly succeeds in blending all conventional genres into quite an entertaining spoof. Very amusing.
Camera Obscura --- 7/10
- Camera-Obscura
- 14 nov. 2006
- Lien permanent
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- How long is The Matador?Propulsé par Alexa
Détails
Box-office
- Budget
- 12 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 12 594 698 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 69 100 $ US
- 1 janv. 2006
- Brut – à l'échelle mondiale
- 17 356 268 $ US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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