Screenwriter and director Jevon O'Neill has brought us a modern morality film for the age, worthy of its medieval stage predecessors. Themes of lust, money, sadism, scheming and religion fuel this gravity ride of a finely detailed plot to its inevitable conclusion.The film begins its full circle with drifter Pierre looking out to sea toward the light. Indeed, the use of light, darkness and grayness can be seen as a further metaphor throughout, and is exquisitely crafted. Harry soon develops into Pierre's clichéd mentor, but without giving too much away it can be said that Dennis Hopper's performance as the film progresses redeems more than just the development of Harry as a character. Likewise, fairground owner Michael (Jim Carter) begins with a curiously unconvincing mid-Atlantic accent, which mellows as the plot unfolds. His scheming daughter and sadistic wife are well casted as Gina Gershon and Dominique Swain. Simeon's complex motives are the key to understanding the plot, and David Murray's drawing of the character detail is a screen masterpiece. Out of Season is unlikely to achieve mainstream success, but could conceivably become a cult classic in the footsteps of, say, The Wicker Man.
"You can take your chances on the other rides, this is the nearest to being alive."- Richard Thompson