ÉVALUATION IMDb
6,6/10
17 k
MA NOTE
Ajouter une intrigue dans votre langueA young gene researcher, Ilona, is kidnapped in a future Paris. Police Captain Karas and his team are in charge of finding her.A young gene researcher, Ilona, is kidnapped in a future Paris. Police Captain Karas and his team are in charge of finding her.A young gene researcher, Ilona, is kidnapped in a future Paris. Police Captain Karas and his team are in charge of finding her.
- Prix
- 2 victoires et 1 nomination au total
Daniel Craig
- Barthélémy Karas
- (voice)
Romola Garai
- Ilona Tasuiev
- (voice)
Ian Holm
- Jonas Muller
- (voice)
Robert Dauney
- Karas
- (voice)
Isabelle Van Waes
- Ilona
- (voice)
- (as Isabelle Van Waess)
Max Hayter
- Dellenbach
- (voice)
Marco Lorenzini
- Muller
- (voice)
Jerome Causse
- Amiel
- (voice)
Clémentine Baert
- Nurses
- (voice)
Chris Bearne
- Parisian
- (voice)
David Benito
- Nayhib
- (voice)
Tsuyu Shimizu
- Reporaz
- (voice)
- (as Tsuyu Browell)
Marcia Fantin
- Parisian
- (voice)
Histoire
Le saviez-vous
- AnecdotesThis movie took six years to complete on a budget of fifteen million dollars.
- GaffesThe movie is set in 2054, this is shown at the beginning, where the date "Oct 12 2054" is given in the Avalon advertisement. Throughout the movie, Ilona is said to be 22 years old, so she should be born around 2034. However, when she is abducted in the beginning, her passport is falling to the ground and her date of birth is visible as "24/06/2020". So either the movie plays in 2042 or the d.o.b. in her passport is wrong.
- Citations
Barthélémy Karas: First, we find her. And then, we sleep.
Commentaire en vedette
Paris in 2042 and an employee of the health & beauty giant Avalon goes missing. Her employer wants her found urgently and the case is assigned to a jaded policed captain called Karas. Karas teams up with Bislane, the sister of the missing scientist and together they find connections between Avalon, buried research, underworld bosses and a discovery that Avalon is frantic to get its hands on.
Renaissance came to me with reviews that praised the style but noted that the story limited how good the film was as a final product. I tried not to watch it with this in mind but it was difficult because the collected wisdom is correct in this case and this is just how the film plays out. The plot is a slow starter mainly because the start is where the characters and depth is supposed to come in, with the "action" and reveals coming later. Unfortunately but perhaps unsurprisingly the film doesn't have this depth early on and it didn't really engage me, leaving the potentially complex plot to slightly confuse me while also failing to grab my attention. This changes as the film goes on and things become clearer and I did get more interested in the second half on the way to a solid ending for this type of thing.
Obviously the main selling point of the film is the animation and the visual style. In this regard the film is rather superficial until you get into it, then after a while it is cool and broody, full of shadow and atmosphere. Such a shame then that with all the cool visuals, we are given English cast that deliver such flat and dull performances by contrast. Craig is a distinctive voice of course but he seems to focus on this rather than working on his character. Holm is a bit better and appears to be putting a bit of effort into it but Pryce and others drift by without having a lot of material to work with. Always nice to hear Sosanya's tones but she has a tiny part.
Renaissance is very much the product of the approach that made it. Visually it is impressive with oodles of style but the story, although it gets better, is not as engaging as I was hoping for and the performances are surprisingly and disappointingly flat.
Renaissance came to me with reviews that praised the style but noted that the story limited how good the film was as a final product. I tried not to watch it with this in mind but it was difficult because the collected wisdom is correct in this case and this is just how the film plays out. The plot is a slow starter mainly because the start is where the characters and depth is supposed to come in, with the "action" and reveals coming later. Unfortunately but perhaps unsurprisingly the film doesn't have this depth early on and it didn't really engage me, leaving the potentially complex plot to slightly confuse me while also failing to grab my attention. This changes as the film goes on and things become clearer and I did get more interested in the second half on the way to a solid ending for this type of thing.
Obviously the main selling point of the film is the animation and the visual style. In this regard the film is rather superficial until you get into it, then after a while it is cool and broody, full of shadow and atmosphere. Such a shame then that with all the cool visuals, we are given English cast that deliver such flat and dull performances by contrast. Craig is a distinctive voice of course but he seems to focus on this rather than working on his character. Holm is a bit better and appears to be putting a bit of effort into it but Pryce and others drift by without having a lot of material to work with. Always nice to hear Sosanya's tones but she has a tiny part.
Renaissance is very much the product of the approach that made it. Visually it is impressive with oodles of style but the story, although it gets better, is not as engaging as I was hoping for and the performances are surprisingly and disappointingly flat.
- bob the moo
- 18 déc. 2008
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- How long is Renaissance?Propulsé par Alexa
Détails
Box-office
- Budget
- 18 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 70 644 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 800 $ US
- 24 sept. 2006
- Brut – à l'échelle mondiale
- 1 831 348 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Renaissance (2006) officially released in India in English?
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