Loverboy

This is not an every day movie. It shows that Kevin Bacon has imaginative and creative talent as a director. I certainly think that he should continue directing movies, despite the fact that this movie is far from a successful or great one.

I already thought that Kyra Sedgwick was a great underrated actress but I don't think I have ever seen a movie in which she played the main character. It was however no surprise to see that she pulled this of excellently. She manages to carry the entire movie almost on her own, even though her character is far from perfect.

Because you know that what the Sedgwick character does and wants is wrong and not always the best for her child's development and psychical state. So how could you feel for the main character and agree with the action she takes? The movie does try to explain this but not good enough to justify it- or satisfy me completely. therefor I also can't regard this movie is a good or successful one, even though its definitely well and professionally made.

Needless to say that the screenplay felt very flawed to me. When you already can't always feel or understand the main character, that is never a good sign for a movie. The sort of character and story could had worked and it has worked in previous movies but the story simply is not interesting or compelling enough to make it work.

The fact that the movie is told non-linear also doesn't make the movie any easier or better to watch. I liked the flashback sequences, especially with the Kevin Bacon and Marisa Tomei character because both go deliciously over-the-top in their roles but it also does make the movie an off-beat and not consistent enough one to watch. It tries to be more than it really is.

The movie is also really lacking in its editing at times, which is simply poor at moments. Also the musical score by Michael Bacon (yes, Kevin Bacon's brother) is way too simple. It's the sort of stuff you would expect to hear in an average TV-series episode.

The movie is filled with some cameos of famous and respected actors. It certainly does uplifts the movie but it's not quite good enough to completely save it as well.

An interesting but not completely successful attempt.

5/10

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I wasn't sure what I was getting into when I first started watching this, as it seems to launch into a sort of twisted edgy comedy at first, but as this film progresses, this story and the situations become very serious, compelling . . . and sad.

The ending is particularly gripping, certainly not what would be expected from the beginning of this film. Everyone does a very fine job of professional acting at its best, but in this work, Kyra Sedgwick really shines.

I don't think there is any other actress that I could think of who could possibly have delivered the embodiment of the Emily character more perfectly . . . she really shines in this role.

The story itself can be a bit hard to go along with if you have had a parental / family experience with certain neurotic or other difficult psychological challenges. I have, and in some ways could really identify with various aspects of this story and its characters.

This is not a light hearted film, despite its somewhat comedic beginning, but it is very well done.

I liked it, as a fine example of the craft of acting, and for a truly unique story worthy of note.

Kevin Bacon is a fine actor, and I was looking forward to this, his debut as a director. He's certainly worked with some of the best in the business, and one would hope that he'd picked up some great lessons in film making.

But this film, sadly, doesn't offer us much.

I believe the two main reasons it doesn't work are the script, and the casting of Kyra Sedgewick, Mr. Bacons real life wife.

The script is pretentious and humorless and forced, and Ms. Sedgewick, a fine actress with a beautiful body (shown off here quite often) is almost fetishized by her husband in this film- to the detriment of the story itself.

It's a film chock-a-block with celebrity cameos, everyone from Matt Dillion to Sandra Bullock to Campbell Scott and Marisa Tomei, and no one really survives it.

I will say this though- it is a BOLD failure, and I do look forward to what Mr. Bacon can do with a half decent script. He (and we) deserve better.

If not for his lead role in "Footloose", Kevin Bacon might be most well-known for the actor linking game that bares his name. Even though he's headed up a cast on a number of occasions, he remains one of the most recognizable and chameleon-like character actors of his generation.

His strengths for conveying characters through great subtlety and resistance have translated well behind the camera as well. He directs his real life wife, Kyra Sedgwick, in "Loverboy". In it she plays a complicated, but surprisingly elusive woman whose childhood neglect has left her hellbent on creating a different life for her own child. Unfortunately her efforts to conceive and parent are fraught with overzealousness and obsessive behavior. The internal struggle and harrowing sadness is well presented through her impressive, nuanced performance as well as Bacon's visual canvas that in many ways recreates the films of the early-seventies. This is a gentle, yet moody film that is well-conceived and emotionally daring.

I can't say I'm very surprised by the rating this great movie gets, nor am I shocked to see some moronic comments on how the storyline is "horrible" or "gross". The topic and development of the story are controversial and sensitive to say the least and it's a sad reality that people just can't get pass their judgemental posturing and try to see things from another point of view.

Kyra Sedgwick carries the movie on her shoulders from start to finish. Not only does she give poetry and the right amount of quirkiness to a character that could have been nightmarish otherwise but she really manages to convey the love her character feels for her son effortlessly so much so that the transition to her psychotic obsession is seamless. Even if the plot is made in such a way that it's impossible for you to empathize with her, you certainly feel for her.

The direction is remarkable and adds to the magic of the world Emily creates for her son. Bacon did a great job of going back and forth in time without being confusing, which was a major challenge with the script and the editing works perfectly at revealing Emily's character and story bit by bit without divulging more than necessary and all the while framing what's important to understand her behavior.

It's never tacky, nor judgemental, nor is it complacent. It's a story of love and how far it can go. Recommended.