ÉVALUATION IMDb
7,3/10
44 k
MA NOTE
Avec l'aide de ses amis, un proxénète de Memphis dans une crise de la quarantaine tente de devenir un animateur hip-hop à succès.Avec l'aide de ses amis, un proxénète de Memphis dans une crise de la quarantaine tente de devenir un animateur hip-hop à succès.Avec l'aide de ses amis, un proxénète de Memphis dans une crise de la quarantaine tente de devenir un animateur hip-hop à succès.
- A remporté 1 oscar
- 25 victoires et 47 nominations au total
William Engram
- Slobs
- (as William 'Poon' Engram)
Bobby Sandimanie
- Yellow Jacket
- (as Bobby 'I-20' Sandimanie)
Histoire
Le saviez-vous
- AnecdotesTo prepare for his role, Terrence Howard interviewed 123 pimps and 78 prostitutes over two-and-a-half years. He lived with four different pimps, including a month-long stint in a Memphis brothel.
- GaffesToward the end of the scene in which Djay is arrested, the padding used to make Shug appear pregnant is visible.
- Citations
Key: There are two types of people: those that talk the talk and those that walk the walk. People who walk the walk sometimes talk the talk but most times they don't talk at all, 'cause they walkin'. Now, people who talk the talk, when it comes time for them to walk the walk, you know what they do? They talk people like me into walkin' for them.
- ConnexionsFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
- Bandes originalesWhoop That Trick
by Al Kapone
Performed by Terrence Howard ("Djay")
Produced by Al Kapone & Lil Jon (as Jonathan 'Lil Jon' Smith)
Courtesy of Pike and Pine Music
Commentaire en vedette
A very good film. I have noted criticism that the film slips into formula in its second half; true. But the situation is so bleak for these characters, I doubt that American audiences would have accepted a more believable ending; and, after all, there were far worse "happy" endings that it avoids.
The gritty staging, the solid no-frills camera-work and editing, and some really excellent performances make this well worth the effort to confront dishonest characters struggling to find some sort of integrity in their efforts to survive and succeed. These characters are not likable - none of them are, they each have a tic that denies them total sympathy from the audience. But they are all very human for that, and so ultimately win our respect if not approval.
Among the actors, two performances especially shine. Terrence Howard as DJay shows timing and expression worthy of much older, more "schooled" actors. Anthony Anderson is a real and pleasant surprise; stuck in character roles for the past decade, Anderson has become a real annoyance to me, as the usual character he plays is really excessive, a caricature. In this role, he is allowed to just act, and he delivers a wholly believable multifaceted performance.
Hollywood has been producing such bad films that saying this film is among the best released this year may not be saying much (there are real and undeniable weaknesses to the film). Nonetheless, on the whole, the film is a commendable and rewarding effort to present a drama involving human beings living close to real life, and not cartoons. I credit that effort, and recommend a viewing.
The gritty staging, the solid no-frills camera-work and editing, and some really excellent performances make this well worth the effort to confront dishonest characters struggling to find some sort of integrity in their efforts to survive and succeed. These characters are not likable - none of them are, they each have a tic that denies them total sympathy from the audience. But they are all very human for that, and so ultimately win our respect if not approval.
Among the actors, two performances especially shine. Terrence Howard as DJay shows timing and expression worthy of much older, more "schooled" actors. Anthony Anderson is a real and pleasant surprise; stuck in character roles for the past decade, Anderson has become a real annoyance to me, as the usual character he plays is really excessive, a caricature. In this role, he is allowed to just act, and he delivers a wholly believable multifaceted performance.
Hollywood has been producing such bad films that saying this film is among the best released this year may not be saying much (there are real and undeniable weaknesses to the film). Nonetheless, on the whole, the film is a commendable and rewarding effort to present a drama involving human beings living close to real life, and not cartoons. I credit that effort, and recommend a viewing.
- winner55
- 22 sept. 2005
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Détails
Box-office
- Budget
- 2 800 000 $ US (estimation)
- Brut – États-Unis et Canada
- 22 202 809 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 017 808 $ US
- 24 juill. 2005
- Brut – à l'échelle mondiale
- 23 563 727 $ US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Hustle and Flow (2005) officially released in India in English?
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