This is an impactful movie that I consider to be a cornerstone of modern Turkish cinema. It's title Pardon (Apologies) might as well be directed at the faceless millions who suffer(ed) under fascistic regimes whose human rights abuses will continue to be ignored for political and financial convenience.
On it's surface, Pardon is the story of three hapless mates but it's also the story of a continuous dark period in a quasi-democratic republic, marred with injustice brought on by self-appointed forces tirelessly working to protect the state from its citizens. As the story unfolds, we quickly discover that such protections are nowhere to be found when it's required to protect the citizens from the state, especially during intervals of uninterrupted accelerated authoritarianism.
This is such a bitter pill to swallow that it takes a master like Ferhan Sensoy to wrap it's bitter core up in his humorous candy, enabling us to digest the tragedy through comedy. Ancient Greek playwrights would be proud of his craftsmanship.
It's also a story of human perseverence and companionship which constantly forces its audience to invoke their sense of justice as our unwilling participants are dragged through the sham courts, having their spirits crushed blow after blow, bit by bit until they finally give up and accept their fate. The audience can't help but internalize the depressing feeling of the life being sucked out of these once spirited characters.
Ibrahim, our main protagonist serves as the primary means of conveying the collective humanity of the trio. Through a series of flashbacks We're given a background story covering his desires, hopes and plans for the future. While we're presented with many of his flaws, we also come to understand that he's fundamentally a well meaning person who is at times let down by his own detachment from reality.
His family, especially his father is typical working class with a strictly working class relationship with money and wealth which is also at the core of Ibrahim's problems since he can't seem to find the money to set up a small business of his own, which retards his growth as a person: He can't get married, he can't have a family and settle down so he chases unlikely sources of income such as gambling. It's thus additionally tragic that he has to be forced to grow up in prison, under such dire circumstances while life passes him by, leading to a downward spiral of despair.
Muzaffer and Aydin are seemingly two opposite characters who compliment Ibrahim's personality. Muzaffer is a cynical, somewhat selfish person but he's not devoid of empathy and he always seem to have a soft spot for his friends so while it might take some encouraging, he eventually comes through and does the right thing. Aydin is a naive, optimistic romantic who tries to see the silver lining in everything thus as a reward, the universe in its infinite wisdom punishes him the hardest. He's only involved in this clusterfrack because the police need a third suspect and his name is the one Ibrahim comes up with, he is tortured and convicted for simply having made a good impression.
He also serves as a reminder that if we ever feel inclined to distance ourselves from Ibrahim, as peculiar a character as he is, and mistakenly assume this only happens to people like him who don't have a high regard for authority, we should realize that there is no difference when the blind eye of the justice points at random people to hold accountable for a crime they didn't commit. If you're at the wrong place at the wrong time, it really doesn't matter if you're the right or the wrong person.
Ultimately, this is an amazing movie not just because of the quality of the writing, the acting and the addictively quotable dialogue, it's a movie which, through humor, helps society face the abuses of the so-called justice system and perhaps serve to comfort many open wounds of those who were scarred by it.
