Harold Crick se retrouve soudainement au centre d'une narration que lui seul peut entendre: une narration qui commence à affecter toute sa vie, son travail, ses amours, sa mort.Harold Crick se retrouve soudainement au centre d'une narration que lui seul peut entendre: une narration qui commence à affecter toute sa vie, son travail, ses amours, sa mort.Harold Crick se retrouve soudainement au centre d'une narration que lui seul peut entendre: une narration qui commence à affecter toute sa vie, son travail, ses amours, sa mort.
- Prix
- 3 victoires et 15 nominations au total
Histoire
Le saviez-vous
- AnecdotesWhile filming, Will Ferrell wore an earpiece that fed him Dame Emma Thompson's narrative lines, in order to assist the other cast members in reacting more naturally to Ferrell's seemingly non-sequitur lines.
- GaffesNear the beginning, Ms. Eifel dictates "When asked by a co-worker for the product of 67 and 453, Harold drew a blank. He quickly answered 30,351 despite the answer really being 31,305." The product of 67 and 453 actually is 30,351. This was meant to get viewers to question who was dictating Harold's life, the narrator or Harold himself. It wouldn't be a coincidence that the "incorrect" number given by Harold would in fact be the correct answer.
- Citations
Professor Jules Hilbert: No, why did you change the book?
Kay Eiffel: Lots of reasons. I realized I just couldn't do it.
Professor Jules Hilbert: Because he's real?
Kay Eiffel: Because it's a book about a man who doesn't know he's about to die and then dies. But if the man does know he's going to die and dies anyway, dies willingly, knowing he could stop it, then... I mean, isn't that the type of man you want to keep alive?
- Générique farfeluDuring the end credits, the names of the characters and the actors who played them were displayed against stylized images of the places where the characters worked.
- Bandes originalesThe Way We Get By
Written by Britt Daniel
Performed by Spoon
Courtesy of Merge Records
By arrangement with Bank Robber Music
While TALLADEGA NIGHTS is extremely silly and a great parody, STRANGER THAN FICTION is not exactly a comedy, though it has some nice comedic moments. Instead, it's a fantasy, comedy and romance all rolled into one and it was nice to see Ferrell finally underplay a role. His character was extremely obsessive-compulsive and emotionally constricted--yet this was NOT played for laughs--an excellent decision.
The film initially seems a lot like the old skits on "The Carol Burnett Show" which featured a writer typing a story and you saw actors playing it out as if they were real. However, the simple story idea was drawn out but didn't seem padded and offered some lovely insights into deeper philosophical issues. It was NOT a film for dopey teens or an undemanding audience, but a thoughtful and intelligently constructed film that caught my interest.
If you are looking for screwball comedy or lots of laughs, then you will no doubt be disappointed. However, if you watch the film with few preconceptions and expectations and have an open mind, I am sure you'll enjoy the film. It's nice to see that I was wrong about the film and the "SNL curse" did not seem to apply.
- planktonrules
- 17 avr. 2008
- Lien permanent
Meilleurs choix
- How long is Stranger Than Fiction?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Stranger Than Fiction
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 40 660 952 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 13 411 093 $ US
- 12 nov. 2006
- Brut – à l'échelle mondiale
- 53 653 224 $ US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1