Ajouter une intrigue dans votre langueA young Lebanese-American girl struggles with her sexual obsession, a bigoted Army reservist and her strict father during the Gulf War.A young Lebanese-American girl struggles with her sexual obsession, a bigoted Army reservist and her strict father during the Gulf War.A young Lebanese-American girl struggles with her sexual obsession, a bigoted Army reservist and her strict father during the Gulf War.
- Prix
- 1 victoire et 3 nominations au total
- Rifat Maroun
- (as Peter MacDissi)
- Topless Golfer
- (as Kimberly Knight)
- Golfer
- (as Loridawn Messuri)
Histoire
Le saviez-vous
- AnecdotesActress Summer Bishil turned 18 before filming started.
- GaffesWhen Jasira is talking to her mother on the payphone when her father has locked her out, there is a "We Card" sticker visible in the convenience store window. The "We Card" tobacco program was not started until 1995, several years after the movie takes place.
- Citations
Jasira Maroun: [about girlie magazine] Women look at these pictures?
Melina Hines: Yeah. They look at them and feel like crap.
Jasira Maroun: Do women ever look at them and feel good?
Melina Hines: Well, maybe. Is that how you feel? I mean, they're sexy pictures. How anyone feels when they look at them doesn't really matter. It's private. But how a kid your age got a magazine like this, that isn't private. Who gave you this?
Jasira Maroun: [no answer]
Melina Hines: Jasira, did an adult give you this?
Jasira Maroun: [no answer]
- ConnexionsFeatured in HBO First Look: Towelhead (2008)
- Bandes originalesShe Drives Me Crazy
Written by David Steele & Roland Gift
Performed by Fine Young Cannibals
(c) 1988 EMI Virgin Music Ltd.
All Rights Controlled and Administered by EMI Virgin Music, Inc. (ASCAP)
Courtesy of Warner Music U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing
Writer/director Alan Ball(American Beauty,"Six Feet Under")is clearly NOT shy about broaching sensitive issues,and his attempt to illustrate the cruel,arbitrary behavior that can come from racism certainly has the sufficient amount of pop and sizzle to it,but it seems like the raw,unrelenting frankness of this story borders on leering and sleaziness,not to mention cruelty. The performances are at least heartfelt and carry a grace about them that doesn't make this TOO preachy or obvious,and the way this story is folded out(using the parameters of Fall 1990 thru March 1991,which was the build-up to start and finish of the first Gulf War)certainly draws this away from post-911 type ready-made drama. But it's timber,it's dangling story lines(the relationship with the mom is just glanced upon) and somewhat out-of-rhythm ending sort of monkey wrenches this from being the cut-above type movie it strives to be. Perhaps I'm judging this film on a knee-jerk type of response,but I think it is still very telling of the kind of product it is.
Intriguing and not without its merits,it's a curiosity of a film,but it's not going to show the viewer much mercy,neither in topic nor in emotional tone.
- KUAlum26
- 20 févr. 2010
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Towelhead
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 372 124 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 52 823 $ US
- 14 sept. 2008
- Brut – à l'échelle mondiale
- 691 733 $ US
- Durée2 heures 4 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1