Après un accident de voiture, une jeune femme qui se retrouve entre la vie et la mort rencontre un professionnel des pompes funèbres qui prétend avoir le don de faire passer les morts dans l... Tout lireAprès un accident de voiture, une jeune femme qui se retrouve entre la vie et la mort rencontre un professionnel des pompes funèbres qui prétend avoir le don de faire passer les morts dans l'au-delà.Après un accident de voiture, une jeune femme qui se retrouve entre la vie et la mort rencontre un professionnel des pompes funèbres qui prétend avoir le don de faire passer les morts dans l'au-delà.
- Prix
- 1 nomination au total
Luz Alexandra Ramos
- Diane
- (as Luz Ramos)
Histoire
Le saviez-vous
- AnecdotesChristina Ricci said in a 2022 interview that she had no problem being totally nude so much during filming, but what made her uncomfortable was other people being uncomfortable with her being naked. That made her feel really weird. So what she did, which she admitted actors probably wouldn't be allowed to do these days, is just stay naked and not wear a robe between scenes. She'd also go talk to crew members naked because she wanted everybody around her to stop reacting to it, because then she could forget that she was naked. Doing that made it one of the only times she's really felt comfortable being naked on camera.
- GaffesWhen Paul runs toward Anna's grave, he touches a tombstone which starts wobbling from side to side.
- Citations
Anna Taylor: Can I ask you a question?
Eliot Deacon: Yes, of course.
Anna Taylor: Why do we die?
Eliot Deacon: To make life important.
- Bandes originalesExit Music: For A Film
Written by Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway
Performed by Radiohead
Produced by Radiohead with Nigel Godrich
Courtesy of Parlophone
Commentaire en vedette
A funeral director appears to have the gift of speaking to dead, and help with their passing to the either side. However, his latest work is a young female school teacher, but is she really dead or is he fulfilling a sick fantasy.
Director Agnieszka Wojtowicz-Voslo's After-life is intriguing, thought provoking and original throughout. The stark style of filming is reminiscent of Body to Body (2003) aka "Corps à corps".
While most of film centres around the character of Anna Taylor it is a wise casting choice by Matthew Lessall as beautiful Christina Ricci gives an emotional performance as a girl who's is not sure if she is dead or alive. Although, Ricci is on the mortuary slab and semi-nude for most part of the film, comparably to Anna Falchi in Dellamorte Dellamore (1994), to Wojtowicz-Voslo's credit it's never in an explicit or over sexualized presentation.
Liam Neeson is convincing as the mortician Eliot Deacon in a subtle performance where he communicates with the dead. He's creepy and cold, although not given a back story, his character has many layers. The tension between Neeson and Ricci is note-worthy and create some great moments.
Die Hard 4 star Justin Long is average as Ricci's fiancée, as he doesn't have the convincing weight of the other players. However, Young Chandler Canterbury as the little boy Jack is memorable. The supporting cast are a mix of familiar face's including Josh Charles and Shuler Hensley and the other officers.
Direction, lighting and music create an eerie atmosphere for this effective thriller mystery. There's horror too in the way of Anna Taylor's visions and Deacon working on the deceased prepping their bodies.
Overall, simmering entertainment with a closing act to ponder over.
Director Agnieszka Wojtowicz-Voslo's After-life is intriguing, thought provoking and original throughout. The stark style of filming is reminiscent of Body to Body (2003) aka "Corps à corps".
While most of film centres around the character of Anna Taylor it is a wise casting choice by Matthew Lessall as beautiful Christina Ricci gives an emotional performance as a girl who's is not sure if she is dead or alive. Although, Ricci is on the mortuary slab and semi-nude for most part of the film, comparably to Anna Falchi in Dellamorte Dellamore (1994), to Wojtowicz-Voslo's credit it's never in an explicit or over sexualized presentation.
Liam Neeson is convincing as the mortician Eliot Deacon in a subtle performance where he communicates with the dead. He's creepy and cold, although not given a back story, his character has many layers. The tension between Neeson and Ricci is note-worthy and create some great moments.
Die Hard 4 star Justin Long is average as Ricci's fiancée, as he doesn't have the convincing weight of the other players. However, Young Chandler Canterbury as the little boy Jack is memorable. The supporting cast are a mix of familiar face's including Josh Charles and Shuler Hensley and the other officers.
Direction, lighting and music create an eerie atmosphere for this effective thriller mystery. There's horror too in the way of Anna Taylor's visions and Deacon working on the deceased prepping their bodies.
Overall, simmering entertainment with a closing act to ponder over.
- amesmonde
- 30 oct. 2010
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- After.Life
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 108 595 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 59 946 $ US
- 11 avr. 2010
- Brut – à l'échelle mondiale
- 2 425 535 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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