ÉVALUATION IMDb
5,9/10
58 k
MA NOTE
Une équipe de plongée souterraine frôle la mort lors d'une expédition dans le système de grottes inexploré le moins accessible au monde.Une équipe de plongée souterraine frôle la mort lors d'une expédition dans le système de grottes inexploré le moins accessible au monde.Une équipe de plongée souterraine frôle la mort lors d'une expédition dans le système de grottes inexploré le moins accessible au monde.
- Prix
- 1 victoire et 1 nomination au total
Christopher James Baker
- J.D.
- (as Christopher Baker)
Dan Wyllie
- Crazy George
- (as Daniel Wyllie)
Histoire
Le saviez-vous
- AnecdotesIoan Gruffudd performed his own base jump stunt, which he described as his favorite part of the shoot.
- GaffesWhen Josh first descends into the surface pit, he's Aussie rappelling with his rack attached to his back. When he reaches the gal part way down, his rack's in front.
- Autres versionsAlso released in a 3D version.
- Bandes originalesRABAUL TAUN
Written by Junior Kokoratts, Alfred Darby, Tibon Lakua, Wilson Takovong
Performed by Junior Kokoratts
Published by PNG Legend
Licensed courtesy of CHM Supersound
Commentaire en vedette
This movie, although not James Cameron's best, is visually exciting and suspenseful. A gripping expedition becomes a race against time and human nature, when a group of explorers navigating an immense cave in Papua New Guinea during a cyclone find themselves trapped in what threatens to become a watery tomb.
The sometimes melodramatic acting and clichéd dialogue tries too hard to construct the nature of each character before the action scenes start to set in, the uncompromising and experienced leader, the rash and cocky business man, the young kid with father issues. There were plenty of chances to let these traits become apparent naturally throughout the script.
The acting gets more bearable as the number of characters starts to dwindle a little. What saves this movie is the sense of scale in the scenery, the beauty of the natural caves, and the realism with which situations become volatile and unmanageable.
Overall, if you want to see a decent, action driven film about of one of the world's last remaining unexplored landforms, then Sanctum will (probably) not disappoint. It could have done without the 3D, which seemed unnecessary overkill. Not as good as The Abyss, but a similarly excellent visual experience to Avatar, unfortunately it comes with a similar level of acting and, with momentary exceptions, emotional depth.
The sometimes melodramatic acting and clichéd dialogue tries too hard to construct the nature of each character before the action scenes start to set in, the uncompromising and experienced leader, the rash and cocky business man, the young kid with father issues. There were plenty of chances to let these traits become apparent naturally throughout the script.
The acting gets more bearable as the number of characters starts to dwindle a little. What saves this movie is the sense of scale in the scenery, the beauty of the natural caves, and the realism with which situations become volatile and unmanageable.
Overall, if you want to see a decent, action driven film about of one of the world's last remaining unexplored landforms, then Sanctum will (probably) not disappoint. It could have done without the 3D, which seemed unnecessary overkill. Not as good as The Abyss, but a similarly excellent visual experience to Avatar, unfortunately it comes with a similar level of acting and, with momentary exceptions, emotional depth.
- bennettgardiner
- 3 févr. 2011
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- How long is Sanctum?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- James Cameron's Sanctum
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 23 209 310 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 447 930 $ US
- 6 févr. 2011
- Brut – à l'échelle mondiale
- 108 609 310 $ US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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