Mary Surratt est accusée d'être un co-conspirateur dans l'assassinat de Lincoln. Alors que la nation se retourne contre elle, elle est contrainte de s'en remettre à son avocat pour découvrir... Tout lireMary Surratt est accusée d'être un co-conspirateur dans l'assassinat de Lincoln. Alors que la nation se retourne contre elle, elle est contrainte de s'en remettre à son avocat pour découvrir la vérité.Mary Surratt est accusée d'être un co-conspirateur dans l'assassinat de Lincoln. Alors que la nation se retourne contre elle, elle est contrainte de s'en remettre à son avocat pour découvrir la vérité.
- Prix
- 2 victoires et 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesVery little is known about the real Frederick Aiken. No photographs of him exist.
- GaffesWhen Booth is trapped and killed, he still has his distinctive mustache. He shaved his face soon after he killed Abraham Lincoln, to make himself less recognizable.
- Citations
Edwin Stanton: Young man... always indebted to you for your courage in the field, but you must learn to tread lightly.
Frederick Aiken: Tread lightly? I will not tread lightly. You have predetermined her fate.
Edwin Stanton: Mary Surratt's fate rests entirely with the Commission. My concern is preserving our Union.
Frederick Aiken: Why did I fight for the Union if my rights aren't assured? You tell me.
Edwin Stanton: Fine words for rallying the troops, not for running a nation. They assassinated our president, and someone must be held accountable. The people want that.
Frederick Aiken: It's John Surratt you want. You don't even want Mary.
Edwin Stanton: I'll settle for either one.
- ConnexionsFeatured in The Conspirator: Mary Surratt and the Plot to Kill Lincoln (2011)
Robert Redford has been well known for his political views and has displayed them already in the somewhat uneven Lions for Lambs. I like filmmakers who speak out. I can maybe not always agree, but I wholeheartedly admire that in this time of mindless action drivel like Transformers, Drive Angry and The Mechanic there is still hope for without trying to be arrogant: meaningful films. Redford uses the assassination of Lincoln to portray a nation in mourning and sadness. The Civil War was all but over and the policymakers were already planning the next step: the forming of a real Union. The assassination of Lincoln endangered the entire Union. The people wanted revenge and Edwin Stanton (an excellent Kevin Kline) serves it cold. Since her son is nowhere to be found anywhere, he settles for the next thing: his mother Mary Surrat. 'I don't care which one it is, as long as one of them pays the price'. Young Frederick Alken (James McAvoy) has the ungrateful task of defending her.
I don't know much about the Civil War and the period after that, so I can't say how accurate this film is. But what I can say is that it's a masterpiece in creating a period not so distant from our current world. If you replace the assassination of Lincoln with the 9/11-attacks, you have a film that stands firm. It asks relevant questions and holds a mirror right up to our faces. Are seeing clearly? In the sadness and outrage of such a shocking event, do we still see clearly what's going on? Do we still, as a people, have perspective enough to define friend from foe from guilty to innocent? Do our leaders have the capability, strength and courage to make us see or tell us 'no' when we are wrong? Or do policies, political views or elections hold them back and make them just give the public what they want? Mary Surrat, Lincoln, Osama Bin Laden, Afghanistan, Bush, Edward Stanton, Abu Grahib, post Civil War Washington, Guantanomo Bay. History repeats itself over and over again. When will we learn? Guilty or innocent. Is it important? Do we care? I give this film 8 out of 10.
- supah79
- 11 août 2011
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Kẻ Chủ Mưu
- Lieux de tournage
- Fort Pulaski, Géorgie, États-Unis(Exterior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 11 538 204 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 506 602 $ US
- 17 avr. 2011
- Brut – à l'échelle mondiale
- 15 625 544 $ US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1