Cliff et Cydney, un couple de jeunes mariés, se rendent à Hawaii afin d'y passer leur lune de miel. Ils y rencontrent d'autres couples en excursion, mais apprennent bientôt qu'un couple de t... Tout lireCliff et Cydney, un couple de jeunes mariés, se rendent à Hawaii afin d'y passer leur lune de miel. Ils y rencontrent d'autres couples en excursion, mais apprennent bientôt qu'un couple de tueurs sévit sur l'île. La paranoïa s'installe rapidement dans ce décor paradisiaque ...Cliff et Cydney, un couple de jeunes mariés, se rendent à Hawaii afin d'y passer leur lune de miel. Ils y rencontrent d'autres couples en excursion, mais apprennent bientôt qu'un couple de tueurs sévit sur l'île. La paranoïa s'installe rapidement dans ce décor paradisiaque ...
- Prix
- 1 nomination au total
- Camera Samaritan
- (as Carlos Alberto López)
Histoire
Le saviez-vous
- AnecdotesDirector David Twohy has been quoted in recent interviews as saying he had to battle with the studio to allow the movie to continue on with an R-rating instead of a PG-13 version.
- GaffesA previous Plot Hole mentions that since Cliff threw away the tape from the digital camera into the sea, Gina could not have seen the photos on it. When Gina first looks at the camera, it clearly shows her pushing in the SD card all the way, which revealed the photos on the SD card to her. Cliff even says in an earlier scene that he should read the camera's manual, so it's clear he did not know it also had an SD card in it.
- Autres versionsThe Director's Cut available on the Blu Ray release contains an additional 10 minutes of footage.
- ConnexionsEdited into A Perfect Getaway: The Shocking Original Scripted Ending (2009)
A PERFECT GETAWAY is one of the more genuinely smarter thrillers I've seen in quite awhile. It has a clever script in the same vein as SCREAM written by David Twohy, who's also the director. You have characters that are self aware of things called "red herrings" and "twists," almost as if they are breaking the fourth wall, not to mention one of our characters is a screenwriter. And, to top it off, the film does not rely on cheap, gimmicky action sequences and CGI to keep things interesting. It's truly a first-rate thriller.
But I'm sad to say the film is not for everyone. To some, nothing really happens in the first two acts of the film. To me, I was so interested in the character development and the discussions the characters were having. The first two acts is all build up to an explosive third act where director Twohy pulls all the stops. If you're willing to sit and pay attention in the talky scenes, you'll be rewarded. Pay no attention at all, and you'll be missing a lot of crucial information that ties into a plot twist.
Speaking of twists, the surprise twist in here is, I'll admit, not that surprising. However, it's executed really well. And I'm sure some people will be put off by the twist because how it cheats. I'm here to say it doesn't. Like Roger Ebert said, it only seems to. The script is written in a way that the plot is tight and that there aren't any contradicting scenes that will bring the story down. It's as if Twohy found all the loose ends and fixed them up until there were no plot holes at all.
I enjoyed the performances a lot. Steve Zahn and Milla Jovovich play characters in which I would love to hang out with. Zahn is as great as always in the geeky role. Jovovich also pulls off a convincing performance as the sympathetic, free-loving wife. Timothy Olyphant also does a terrific job making his character likable yet suspicious. Kiele Sanchez is great as his girlfriend. Chris Hemsworth and Marley Shelton play another couple, although I felt they were underused.
In the end, the film is a perfectly fine thriller that makes you guess and second guess yourself. The film truly benefits from Twohy's extremely clever script and great direction. I also liked the score by Boris Elkis and the beautiful cinematography. If you like thrillers, give this a watch. You won't regret stopping for this getaway. I'm sorry. I just had to do it.
- moviewizguy
- 9 juill. 2010
- Lien permanent
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Détails
Box-office
- Budget
- 14 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 15 515 460 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 948 555 $ US
- 9 août 2009
- Brut – à l'échelle mondiale
- 22 955 544 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1