ÉVALUATION IMDb
7,0/10
10 k
MA NOTE
Une interprétation musicale de trois amants vivant à Paris.Une interprétation musicale de trois amants vivant à Paris.Une interprétation musicale de trois amants vivant à Paris.
- Prix
- 4 victoires et 13 nominations au total
Esteban Carvajal-Alegria
- L'ami d'Erwann
- (as Esteban Carvajal Alegria)
Alex Beaupain
- Le chanteur
- (uncredited)
William Leymergie
- Self
- (archive footage)
- (uncredited)
- …
Gaël Morel
- Un spectateur dans la fille d'attente
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe titles of the three chapters in the movie "Le départ", "L'absence", "Le retour" are the same as in the movie "Les parapluies de Cherbourg"
- Citations
Ismaël Bénoliel: Je suis très mélancolique.
- ConnexionsFeatured in La bisexualité: tout un art? (2008)
Commentaire en vedette
How to put into words a film with this sensorial density? It's clearly not the simplest task. "Congratulations Christophe Honoré" could be a good approach, maybe the best.
As a Portuguese, a traditional nation in the "European standards", I may say that this film surpasses my bounds when speaking of, let's say, "relational experimentalism". Even so, I found it astoundingly beautiful and I guess that picking-up the gay issue would be to diminish a film about life and what we make of it in our nowadays living.
To have lived in France for over a year, eventually helped me out to remark some interesting French particularities in the characters.
I found the humor in this film to be typically French. There's a scene were Ismael is Wrapping a pillow making a baby of it, asking everybody in the room to remain silent not to wake up the child that had just gotten asleep. Then, unexpectedly, he throws the "baby" right out of the window as he gets tired of the staging. This kind of uncompromising performances, risking the ridiculous, were undoubtedly a "déjà vu" for me.
The music is also a key element in the film and gives it a Parisian melancholical aura. The music is often used by 2 or more characters in the form of a dialog where they show their feelings and points of view. As they sing, the scenes are incredible well filmed either outdoor, in the endless avenues of Paris, or indoor in the cosiness of a warm bed in a cold winter night. Sometimes I felt as I was one of the characters right in the scene.
The anguish, the indecision and above all, the solitude are the marking subjects in a film that exposes in a crude manner how individualistic the society is becoming in France, and why not, in Europe.
It's a contemporary (timeless?) film about human relationships. In my opinion, the antithesis of the blockbuster cinema: The extravagance is replaced by beauty, the free nudity is replaced by sensuality and the easy laugh is avoided. The dialogs are intelligent, complex and they have ambiguous interpretation.
At the end of the movie, a phrase synthesizes it all: "Love me less but for a long time".
To assume the compromise revoking the emotional hurricane brought by fleeting relations will bring peace, at last.
As a Portuguese, a traditional nation in the "European standards", I may say that this film surpasses my bounds when speaking of, let's say, "relational experimentalism". Even so, I found it astoundingly beautiful and I guess that picking-up the gay issue would be to diminish a film about life and what we make of it in our nowadays living.
To have lived in France for over a year, eventually helped me out to remark some interesting French particularities in the characters.
I found the humor in this film to be typically French. There's a scene were Ismael is Wrapping a pillow making a baby of it, asking everybody in the room to remain silent not to wake up the child that had just gotten asleep. Then, unexpectedly, he throws the "baby" right out of the window as he gets tired of the staging. This kind of uncompromising performances, risking the ridiculous, were undoubtedly a "déjà vu" for me.
The music is also a key element in the film and gives it a Parisian melancholical aura. The music is often used by 2 or more characters in the form of a dialog where they show their feelings and points of view. As they sing, the scenes are incredible well filmed either outdoor, in the endless avenues of Paris, or indoor in the cosiness of a warm bed in a cold winter night. Sometimes I felt as I was one of the characters right in the scene.
The anguish, the indecision and above all, the solitude are the marking subjects in a film that exposes in a crude manner how individualistic the society is becoming in France, and why not, in Europe.
It's a contemporary (timeless?) film about human relationships. In my opinion, the antithesis of the blockbuster cinema: The extravagance is replaced by beauty, the free nudity is replaced by sensuality and the easy laugh is avoided. The dialogs are intelligent, complex and they have ambiguous interpretation.
At the end of the movie, a phrase synthesizes it all: "Love me less but for a long time".
To assume the compromise revoking the emotional hurricane brought by fleeting relations will bring peace, at last.
- a25112
- 25 oct. 2010
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Détails
Box-office
- Brut – États-Unis et Canada
- 104 567 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 488 $ US
- 23 mars 2008
- Brut – à l'échelle mondiale
- 2 996 312 $ US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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