ÉVALUATION IMDb
6,6/10
43 k
MA NOTE
L'histoire de l'ascension de Coco Chanel de ses origines obscures aux hautes sphères de la mode.L'histoire de l'ascension de Coco Chanel de ses origines obscures aux hautes sphères de la mode.L'histoire de l'ascension de Coco Chanel de ses origines obscures aux hautes sphères de la mode.
- Nommé pour 1 oscar
- 5 victoires et 20 nominations au total
Etienne Bartholomeus
- Maître d'hôtel Balsan
- (as Étienne Bartholomeus)
Fabien Béhar
- Patron boutique
- (as Fabien Behar)
Emilie Gavois-Kahn
- Couturière remplaçante
- (as Émilie Gavois-Kahn)
Histoire
Le saviez-vous
- AnecdotesCoco Chanel lived at the Hotel Ritz, in Paris, from 1934 to 1971. The Coco Chanel Suite was named after her in her memory.
- GaffesWhen Boy allows Coco Chanel to drive the car, and the car stops, she steps out wearing a white scarf that she wasn't wearing when she got into the car.
- Citations
Étienne Balsan: A woman who cuts her hair, is about to change her life.
Commentaire en vedette
I watched this film for two reasons--I like French films and I like Audry Tautou. However, about midway through the movie I realized that I just didn't care all that much about what I was watching. Perhaps you'll have a different reaction.
After being dumped at an orphanage with her sister by their indifferent father, the film jumps ahead 15 years. The two sisters are now singing in a dive--with hopes of getting out and getting a gig at a nicer venue. However, when the sister falls in love with some rich guy, the act falls apart. Soon afterwords, Coco herself moves in with another rich guy and becomes his lover--though why he would want such a dour and indifferent person was a major question that plagued me. In fact, ALL of Tautou's performance confused me, as she almost always seemed depressing to be with--yet, people oddly were drawn to her. It was almost like she was sleepwalking through life. In addition, it was very, very difficult to connect with not only her but anyone in the film--a severe deficit to the film unless there was more action and suspense. Unfortunately, there was almost none. In fact, where there clearly must have been some energy or excitement...there was still none. And, what irritated me most is that although a huge portion of the film took place during WWI, the war was not mentioned or even alluded to even once. You'd think that a war that resulted in at least 11 million deaths and the destruction of a third of France would at get a mention! And, after meeting her second lover (with which she spent nine years), you get the impression that he died only months later. As a result of this style of film making, the context for EVERYTHING is missing--and it's even worse at the end of the film where Coco appears to have aged very little--yet many of the models around her are dressed in clothing from decades in the future.
Unlikable characters and poor/confusing history make this a rather tedious film. Mildly interesting, but not much more...and it certainly SHOULD have been more engaging.
After being dumped at an orphanage with her sister by their indifferent father, the film jumps ahead 15 years. The two sisters are now singing in a dive--with hopes of getting out and getting a gig at a nicer venue. However, when the sister falls in love with some rich guy, the act falls apart. Soon afterwords, Coco herself moves in with another rich guy and becomes his lover--though why he would want such a dour and indifferent person was a major question that plagued me. In fact, ALL of Tautou's performance confused me, as she almost always seemed depressing to be with--yet, people oddly were drawn to her. It was almost like she was sleepwalking through life. In addition, it was very, very difficult to connect with not only her but anyone in the film--a severe deficit to the film unless there was more action and suspense. Unfortunately, there was almost none. In fact, where there clearly must have been some energy or excitement...there was still none. And, what irritated me most is that although a huge portion of the film took place during WWI, the war was not mentioned or even alluded to even once. You'd think that a war that resulted in at least 11 million deaths and the destruction of a third of France would at get a mention! And, after meeting her second lover (with which she spent nine years), you get the impression that he died only months later. As a result of this style of film making, the context for EVERYTHING is missing--and it's even worse at the end of the film where Coco appears to have aged very little--yet many of the models around her are dressed in clothing from decades in the future.
Unlikable characters and poor/confusing history make this a rather tedious film. Mildly interesting, but not much more...and it certainly SHOULD have been more engaging.
- planktonrules
- 26 nov. 2010
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Coco Before Chanel
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 113 834 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 406 768 $ US
- 27 sept. 2009
- Brut – à l'échelle mondiale
- 50 812 934 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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