Un chasseur de primes apprend que sa prochaine cible est son ex-femme, une journaliste enquêtant sur une affaire de meurtre. Peu après leur réunion, le duo qui se dispute toujours, doit s'en... Tout lireUn chasseur de primes apprend que sa prochaine cible est son ex-femme, une journaliste enquêtant sur une affaire de meurtre. Peu après leur réunion, le duo qui se dispute toujours, doit s'enfuir pour ne pas y laisser la vie.Un chasseur de primes apprend que sa prochaine cible est son ex-femme, une journaliste enquêtant sur une affaire de meurtre. Peu après leur réunion, le duo qui se dispute toujours, doit s'enfuir pour ne pas y laisser la vie.
- Prix
- 4 victoires et 5 nominations
Histoire
Le saviez-vous
- AnecdotesEx-cop and former Fox TV news reporter Mike Sheehan appears as the desk sergeant in this film. Mr. Sheehan was arrested in March 2009 for hitting a mounted policeman with his car. This was the same charge that Nicole Hurley, Jennifer Aniston's character, was charged with.
- GaffesMilo says the stun gun shocked him at 250 volts, which is too weak to shock him unconscious. Stun gun charges are over 10000 volts.
- Citations
[calling Milo from inside his car's trunk]
Nicole Hurley: Milo, please, you have got to let me out of here.
Milo Boyd: Hmm... nope!
Nicole Hurley: All right, I shouldn't have run away, you just caught me off guard. And the truth is, I think I might need your advice on something.
Milo Boyd: Well, that's a real shame. Because I wouldn't help you if you were the last baby sea turtle dragging your little, tiny body across the burning sand whilst hungry seagulls circled overhead. No, I'd just pull up a chair, sip a pina colada and watch nature take its course.
- ConnexionsFeatured in The Rotten Tomatoes Show: Daybreakers/Leap Year/Youth in Revolt (2010)
- Bandes originalesFire Burning
Written by Sean Kingston (as Kisean Anderson), Bilal 'The Chef' Hajji and RedOne (as Nadir Khayat)
Performed by Sean Kingston
Courtesy of Epic Records
By Arrangement with Sony Music Entertainment
There is nothing original, and nothing funny enough or well-acted enough to make its unoriginality interesting. Jennifer Aniston did a decent job, given what she had to work with (though she does act like she does in most of her other movies). But the writing wasn't good, and the plot was weak and all over the place. Most everything you see, you've seen before--just done better somewhere else--and all of it combined into something very hodgepodge. It's like the storywriters just took a "pinch of this" and a "dash of that" from various comedies, romances, and action adventures, and tried to make a soup out of them.
The music was so bad I'm even giving it its own paragraph. I had no idea the music would make such a difference, normally I don't notice it's even there. Not so on this one! It was often agonizingly out of place, where you had to wonder what the score writers were thinking, or why they picked the song they did.
I left twice for the concession stand, and didn't even care to ask what had happened while I was gone. There were times I found that I was even having to remind myself to pay attention to the dialogue. As I don't go to the theater often, it's usually a treat to me, and most of the time I enjoy whatever I'm watching simply because it's relaxing and a chance to be out. But for once I was actually bored. It was about the quality of a TV show, but unfortunately lasted the length of a full movie.
The romantic/action with husband and wife fighting-yet-finding-they-might-still-love-each-other plot has been done before much better. "Mr and Mrs Smith" was GOOD. "Fool's Gold" was decent. "Bounty Hunter" was just downright poor. So disappointing!
- StarDragyn
- 18 mars 2010
- Lien permanent
Meilleurs choix
- How long is The Bounty Hunter?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Bounty Hunter
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 67 061 228 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 686 423 $ US
- 21 mars 2010
- Brut – à l'échelle mondiale
- 136 333 522 $ US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1