ÉVALUATION IMDb
5,3/10
2,4 k
MA NOTE
Un pasteur honnête découvre un monde souterrain sombre et tordu alors qu'il cherche des réponses concernant le meurtre brutal de sa fille.Un pasteur honnête découvre un monde souterrain sombre et tordu alors qu'il cherche des réponses concernant le meurtre brutal de sa fille.Un pasteur honnête découvre un monde souterrain sombre et tordu alors qu'il cherche des réponses concernant le meurtre brutal de sa fille.
- Prix
- 6 victoires et 10 nominations au total
Kristopher Kling
- Arlo
- (as Kris Kling)
Histoire
Le saviez-vous
- AnecdotesThe members of Five Finger Death Punch demanded to eat Filet Mignon for lunch every day or they would not work.
- GaffesIn New Jersey, it is illegal for drivers to pump their own gas, therefore Sarah would have never gotten out of the car to begin with.
- ConnexionsFeatured in Projector: The Retaliators (2022)
- Bandes originalesThe Ending
Performed by Papa Roach
Commentaire en vedette
Following the death of his daughter, a grief-stricken priest sets out to seek revenge for the person responsible, eventually finding him in the form of an underground criminal kingpin being sought by a multitude of organizations for his work and must dig deeper into his own resolve to escape the situation.
There was quite a lot to like with this one. Among the better features found here is the incredibly enjoyable setup that provides quite a fun setup to the later insanity featured here. The initial setup with the easy-going lifestyle of the priest trying not to get into confrontation or violence and then wretched with grief when his daughter is killed and eventually learning to stand up for himself works rather nicely, while the secondary setup of the need to catch up with the drug-deal gone wrong featuring the criminals scouring their own underworld trying to discover who the psychopath is and what he's done with the money. This gives the film quite a unique setup that brings some rather interesting points along the way. As well, the film manages quite a lot to like with the brutal and over-the-top confrontations with the killers coming into play. With the strong opening about the girls being stranded in the van and then finding the attempted saviors getting dispatched gruesomely before the graphic final scene, this one manages quite a lot to like almost immediately in a fast, frenetic sequence. The car chase and resulting accident that sets this one in motion are quite thrilling, and the relentless attacks that come about in the finale where the freed prisoners are let loose bringing upon a ton of frantic, furious sequences together as they attack the group in the underground dungeon and eventually make their way out into the woods which features all sorts of impressive effects-work on the graphic kills throughout here, giving this some likable features. There are some flaws to be had with this one. The main problem is that so much of the film's first half is so generally unappealing as a horror film that it's easy to think this one doesn't even fall into the genre. The opening attack is very misleading to the later scenes as the main setup that gets focused on the search for the figures in the criminal underworld that revolve around the killer that kills his daughter than it is about the deaths being dished out. This plays far more like a crime thriller than a genre effort with the way the scenes play out as the drug deal gone wrong involving the brutal murder of the courier which is not that interesting or features anything remotely close to what's going on later on in the film so it just isn't that good to get started. That early setup highlights the films' other issue in that there's such a pronounced and obvious stylistic change between the first and second half that is awkward and clumsily put together. The sluggish pacing from the non-genre first half gives way to a furious, fast-paced second half that's quite different not just in style but also in presentation. There's so little about what's going on here that feels cohesive and connected to what's come before it as the turn from crime thriller to horror is not that well-defined and comes out of nowhere with how it's played off. The shift in tone is drastic much like the content of the action featured here which all combine together to knock this back a bit.
Rated Unrated/R: Extreme Graphic Violence, Graphic Language, Nudity, and heavy drug use.
There was quite a lot to like with this one. Among the better features found here is the incredibly enjoyable setup that provides quite a fun setup to the later insanity featured here. The initial setup with the easy-going lifestyle of the priest trying not to get into confrontation or violence and then wretched with grief when his daughter is killed and eventually learning to stand up for himself works rather nicely, while the secondary setup of the need to catch up with the drug-deal gone wrong featuring the criminals scouring their own underworld trying to discover who the psychopath is and what he's done with the money. This gives the film quite a unique setup that brings some rather interesting points along the way. As well, the film manages quite a lot to like with the brutal and over-the-top confrontations with the killers coming into play. With the strong opening about the girls being stranded in the van and then finding the attempted saviors getting dispatched gruesomely before the graphic final scene, this one manages quite a lot to like almost immediately in a fast, frenetic sequence. The car chase and resulting accident that sets this one in motion are quite thrilling, and the relentless attacks that come about in the finale where the freed prisoners are let loose bringing upon a ton of frantic, furious sequences together as they attack the group in the underground dungeon and eventually make their way out into the woods which features all sorts of impressive effects-work on the graphic kills throughout here, giving this some likable features. There are some flaws to be had with this one. The main problem is that so much of the film's first half is so generally unappealing as a horror film that it's easy to think this one doesn't even fall into the genre. The opening attack is very misleading to the later scenes as the main setup that gets focused on the search for the figures in the criminal underworld that revolve around the killer that kills his daughter than it is about the deaths being dished out. This plays far more like a crime thriller than a genre effort with the way the scenes play out as the drug deal gone wrong involving the brutal murder of the courier which is not that interesting or features anything remotely close to what's going on later on in the film so it just isn't that good to get started. That early setup highlights the films' other issue in that there's such a pronounced and obvious stylistic change between the first and second half that is awkward and clumsily put together. The sluggish pacing from the non-genre first half gives way to a furious, fast-paced second half that's quite different not just in style but also in presentation. There's so little about what's going on here that feels cohesive and connected to what's come before it as the turn from crime thriller to horror is not that well-defined and comes out of nowhere with how it's played off. The shift in tone is drastic much like the content of the action featured here which all combine together to knock this back a bit.
Rated Unrated/R: Extreme Graphic Violence, Graphic Language, Nudity, and heavy drug use.
- kannibalcorpsegrinder
- 30 août 2021
- Lien permanent
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- How long is The Retaliators?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- 더 리탈리에이터스
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 200 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 9 980 $ US
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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