Un drame sur l'artiste Margaret Keane, son succès phénoménal dans les années 1950 et les difficultés juridiques qu'elle a connues par la suite avec son mari, qui s'est attribué la paternité ... Tout lireUn drame sur l'artiste Margaret Keane, son succès phénoménal dans les années 1950 et les difficultés juridiques qu'elle a connues par la suite avec son mari, qui s'est attribué la paternité de ses oeuvres dans les années 1960.Un drame sur l'artiste Margaret Keane, son succès phénoménal dans les années 1950 et les difficultés juridiques qu'elle a connues par la suite avec son mari, qui s'est attribué la paternité de ses oeuvres dans les années 1960.
- Nominé pour le prix 2 BAFTA Awards
- 3 victoires et 18 nominations au total
- 2nd Olivetti Girl
- (as Emily Bruhn)
Histoire
Le saviez-vous
- AnecdotesMargaret Keane: Reading a book on a park bench behind Margaret and Walter, when they paint in front of the San Francisco Palace of Fine Arts. The end-credit photo of her sitting with Amy Adams was taken when this scene was filmed.
- Gaffes"Tomorrow Forever," the UNICEF painting Margaret Keane painted for the 1964 Worlds Fair, was never actually mounted in the Hall of Education. Robert Moses, who had control over everything that was included in the fair, hated it. Once New York Times critic John Canaday trashed it after seeing a photograph of it, Moses had it thrown into the garbage.
- Citations
Ruben: What's that with the big crazy eyes?
Walter Keane: Oh. Well, I believe that you can see things in the eyes. The eyes are the window to the soul.
The story of Big Eyes is something straight out of the movies, but no, the tale of Margaret Keane and her artistry is based on fact and real life.
Tim Burton's Big Eyes is a dramatic narrative of Margaret Keane, the painter, mother and wife. Having left her husband, with daughter in tow, she seeks a new beginning in California. While there, she hopes to make a living through her art and subsequently meets and marries a man named Walter. Trying to navigate the art world and make a living, her husband claims credit for her artwork which eventually becomes highly profitable. Burton focuses on the awakening of Keane as an artist and to her husband's shortcomings and the legal difficulties in claiming ownership of her work.
Margaret Keane's life is a fascinating and near unbelievable one. And much of Big Eyes' success as a film rests comfortably on that very story. Well, Big Eyes rests on the story of Keane and on Christoph Waltz's immeasurable charm in his performance as Walter Keane.
The sad big eyed children made commercially famous by Keane are uniquely peculiar. Stylistically, it was only right that Tim Burton should direct a film about the painter. It is apparent that Big Eyes is a Burton film; however, Tim Burton subdues his style substantially so that the narrative of this marvelous woman can take center stage. Creatively, this is a refreshing departure for the director.
The Big Eyes movie parallels the artwork of Margaret Keane in an unintentional manner. Margaret Keane was able to look at a person and capture their essence and then put it on canvas with her own twist through large sad eyes. Similarly, Tim Burton takes the core elements of Keane's life and translates it to film with his own fanciful creative liberties. Though everything is in the movie adaptation of Big Eyes, it lacks substance and heart to connect with the audience to have a lasting impression.
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- ArchonCinemaReviews
- 31 janv. 2015
- Lien permanent
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- How long is Big Eyes?Propulsé par Alexa
Détails
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 14 482 031 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 001 738 $ US
- 28 déc. 2014
- Brut – à l'échelle mondiale
- 29 261 617 $ US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1