Christine Brown a voulu être promue et, pour faire plaisir au patron, refuse de négocier le crédit d'une femme âgée sur le point de perdre sa maison. En vengeance, elle implore une malédicti... Tout lireChristine Brown a voulu être promue et, pour faire plaisir au patron, refuse de négocier le crédit d'une femme âgée sur le point de perdre sa maison. En vengeance, elle implore une malédiction qui la mènera en enfer.Christine Brown a voulu être promue et, pour faire plaisir au patron, refuse de négocier le crédit d'une femme âgée sur le point de perdre sa maison. En vengeance, elle implore une malédiction qui la mènera en enfer.
- Prix
- 7 victoires et 24 nominations au total
Histoire
Le saviez-vous
- AnecdotesAlison Lohman did almost all of her own stunts.
- GaffesMrs. Ganush's body gushes a large quantity of embalming fluid onto Christine's face, but in the next scene, her hair is completely dry.
- Générique farfeluThe film opens with the 1963 "Van Allen belts" Universal logo.
- Autres versionsThe unrated director's cut DVD adds four notable extended shots/sequences:
- 1. The scene where Christine's nose squirts blood is extended, adding a shot of blood pouring out of her mouth. She covers her mouth, causing the fountain of blood to erupt from her nose.
- 2. The shot of Christine raising the knife above her cat is extended, showing Christine plunging the knife down several times, with some squirting blood.
- 3. We also see the cat's bloodied body fall into the hole in Christine and Clay's yard, just before Christine begins to shovel dirt upon it.
- 4. When Christine drops the anvil on Mrs. Ganush, Christine still gets splattered with Mrs. Ganush's eyeballs and brain matter, but now it's blood red colored.
- ConnexionsFeatured in HBO First Look: Making 'Drag Me to Hell' (2009)
- Bandes originalesRock Ballad (Unused Theme from The Exorcist)
Written and Performed by Lalo Schifrin
Courtesy of Warner Bros. Entertainment
Played in the end credits
Commentaire en vedette
DRAG ME TO HELL sees Sam Raimi attempting to update his EVIL DEAD formula to the modern era, reinventing it as a teen-friendly comic horror about an unsuspecting bank worker who becomes a victim of a witch's curse. It sounds entertaining, and you'd think it would be easy for a man who once made it his job to bring fresh, energetic horror to our cinema screens.
Sadly, time has passed, and nowadays the formula seems a little stale. Raimi relies far too much on CGI in this movie, so that most of the (frequent) scare scenes are fake-looking and cartoonish; sometimes making this look like a Looney Tunes cartoon done via live action. I'd much have preferred practical effects, because then the film wouldn't have been so cheesy and laughable.
The mood is all over the place, too. The witch's curse storyline has real potential to be interesting, but none of the scare scenes work, mainly because Raimi goes for the gross-out over the genuinely spooky. There's a kind of infantile relish in watching a toothless old crone slobbering over her victim that makes me wonder what exactly he was thinking of. Playing it straight would have worked far better, I think.
The cast is nothing to write home about, with performances ranging from the pantomime (Dileep Rao) to the decent (David Paymer). As the heroine, Alison Lohman tries very hard to convince, although she does fail to elicit much sympathy. The pacing's good, though, and there are plenty of set-pieces and jump-in-your-seat moments, so undemanding horror fans might find themselves entertained regardless. Sometimes, though, Raimi goes too far; take the goat scene: just what on earth was he thinking?
Sadly, time has passed, and nowadays the formula seems a little stale. Raimi relies far too much on CGI in this movie, so that most of the (frequent) scare scenes are fake-looking and cartoonish; sometimes making this look like a Looney Tunes cartoon done via live action. I'd much have preferred practical effects, because then the film wouldn't have been so cheesy and laughable.
The mood is all over the place, too. The witch's curse storyline has real potential to be interesting, but none of the scare scenes work, mainly because Raimi goes for the gross-out over the genuinely spooky. There's a kind of infantile relish in watching a toothless old crone slobbering over her victim that makes me wonder what exactly he was thinking of. Playing it straight would have worked far better, I think.
The cast is nothing to write home about, with performances ranging from the pantomime (Dileep Rao) to the decent (David Paymer). As the heroine, Alison Lohman tries very hard to convince, although she does fail to elicit much sympathy. The pacing's good, though, and there are plenty of set-pieces and jump-in-your-seat moments, so undemanding horror fans might find themselves entertained regardless. Sometimes, though, Raimi goes too far; take the goat scene: just what on earth was he thinking?
- Leofwine_draca
- 14 déc. 2012
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Drag Me to Hell
- Lieux de tournage
- 1031 Everett St, Los Angeles, Californie, États-Unis(Christine's house)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 42 100 625 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 825 480 $ US
- 31 mai 2009
- Brut – à l'échelle mondiale
- 90 843 550 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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