Lorsque Patrizia Reggiani, une étrangère modeste, se marie avec la famille Gucci, son ambition débridée commence à démêler leur héritage et déclenche une spirale imprudente de trahison, de d... Tout lireLorsque Patrizia Reggiani, une étrangère modeste, se marie avec la famille Gucci, son ambition débridée commence à démêler leur héritage et déclenche une spirale imprudente de trahison, de décadence, de vengeance et finalement de meurtre.Lorsque Patrizia Reggiani, une étrangère modeste, se marie avec la famille Gucci, son ambition débridée commence à démêler leur héritage et déclenche une spirale imprudente de trahison, de décadence, de vengeance et finalement de meurtre.
- Nommé pour 1 oscar
- 17 victoires et 79 nominations au total
Histoire
Le saviez-vous
- AnecdotesAt Uncle Aldo's birthday party, Aldo says they are missing a player. The men fighting, wrestling, and throwing a soccer ball are playing "Calcio Fiorentino" (Florentine Football), one of the most violent organized team sports, in which punching and kicking are legal.
- Gaffes(at around 34 mins) When Paolo is taken down playing rugby, Jared Leto's bald cap falls off of his head, revealing the long dark hair underneath.
- Citations
Aldo Gucci: Quality is remembered long after price is forgotten.
- Bandes originalesLa ragazza col maglione
Written by Alberto Testa and Pino Donaggio
Performed by Pino Donaggio
Courtesy of Universal Music Italia Srl
Under license from Universal Music Operations Ltd.
Commentaire en vedette
There were quite a number of reasons for wanting to see 'House of Gucci'. The advertising did intrigue and did suggest a film that would be over the top but entertaining in its own way. Ridley Scott's filmography is hit and miss, brilliant at his best like with 'Alien' and 'Blade Runner' though some of his films, such as 'GI Jane' and 'Robin Hood' ('Legend' is underrated in my view), are not too great. The main draw though was the cast, with Lady Gaga (an immensely gifted performer and inspirational person) being a big selling point for many.
For me though, bigger selling points were seeing two of my favourite actors Al Pacino and Jeremy Irons again (and reunited after 'A Merchant in Venice'). Jared Leto has always been very take and leave. 'House of Gucci' turned out to be one of those difficult to rate and review sort of films for me, it is going to be one of those films that some are going to love and others are going to hate (with some in between). It is a hugely flawed film, but there was also a lot to enjoy at the same time. As far as Scott's films go, it's a middling effort. Neither one of his best or worst.
'House of Gucci' has a lot that is good in my view. Have very little to complain about when it comes to how it looks, apart from some editing being in need of a tightening in the final act. The Italian scenery and the costumes are truly stunning though and the camerawork is similarly sumptuous. Scott's direction is uneven dramatically but is very impressive on a technical level, especially in his use of multiple cameras (which must make it easy for actors to know where to look). The soundtrack is also wonderful and beautifully operatic in scope, though not always well placed, but from a standalone point of view there are no complaints here.
Despite the very all over the place accents, with a mix of exaggerated (Leto, to almost cartoonish effect in his case) or barely there (Irons, am a huge fan of Irons but will never deny about accents not being a forte of his), most of the acting is fine. Lady Gaga kills it as Patrizia, who is a very interesting and well fleshed out character here, bringing charm, effortless charisma and menace to her. It has been said that her accent isn't great, as far as the cast goes it's actually the most convincing one along with Salma Hayek's. Adam Driver is a good deal more understated, one of the few in the cast to play it very straight, but he is also compelling and his character growth/decent is believable. They have great chemistry together.
The supporting cast on the whole support them well, Pacino coming off best having a whale of a time as Aldo. Irons brings vulnerability and authority to patriarch Rodolfo and Salma Hayek gives some of her best acting in years. Really liked the chemistry on the whole, Lady Gaga and Driver are great together as are Lady Gaga and Hayek, while that between Irons and Pacino is a joy. 'House of Gucci' does have a few great individual scenes, and one of the best is the magnificent encounter between Irons and Pacino. Personally thought the first half was fine and that it set up the intrigue and characters extremely well. As well as a few funny moments, Rodolfo's verbal brutalising of Paolo was gold and sums up the viewer's opinion of him and his work perfectly.
On the other hand, 'House of Gucci' has a number of shortcomings. One performance didn't work for me and that was Leto. Unrecognisable in much talked about(the talk of social media when advertising was first revealed) makeup that deserves its own film, he overplays his role, especially when the comic relief becomes more dominant, and belongs in a completely different film. Yes the film is very over the top in tone, but Leto's performance veered on excess and too much of a Super Mario Brothers caricature. There are pacing issues, the rather underdeveloped family business stuff drags, sometimes to the point of stalling, due to the lack of tension and gravitas that was not there enough. And other parts come over as very choppy and incomplete feeling, like the final act. The second half needed a tightening up, which would have made the film less overlong (and it is a film that could have been 25 minutes shorter easily).
Also found the ending very rushed and anti-climactic, handled with too much of an indifferent shrug. After spending so long on the family stuff (and not developing that enough) and the increasingly uneasy spurts of comedy, the event that caused such a sensation is just too throwaway in treatment. Tonally, 'House of Gucci' is messy, the comedy going for the campy approach that goes too far into pantomime in the second half and some of the serious moments being too melodramatic. Tonal shifts can be uneasily abrupt.
The script has some funny and intriguing moments, but is on the whole too overwritten in tone (Leto's comedy increasingly gets too much), bland emotionally (the descent into revenge is not examined enough) and also too much of a trying to include as many iconic lines as possible. Some of the line delivery has to be heard to be believed, can imagine right now the amount of reaction gifs online in regard to some of the more comedic lines and Leto's body language.
Concluding, hugely flawed but also quite fun when taking it for what it is. 5.5/10 (was struggling which score of 5 or 6 to give it but decided to go in between and round it up)
For me though, bigger selling points were seeing two of my favourite actors Al Pacino and Jeremy Irons again (and reunited after 'A Merchant in Venice'). Jared Leto has always been very take and leave. 'House of Gucci' turned out to be one of those difficult to rate and review sort of films for me, it is going to be one of those films that some are going to love and others are going to hate (with some in between). It is a hugely flawed film, but there was also a lot to enjoy at the same time. As far as Scott's films go, it's a middling effort. Neither one of his best or worst.
'House of Gucci' has a lot that is good in my view. Have very little to complain about when it comes to how it looks, apart from some editing being in need of a tightening in the final act. The Italian scenery and the costumes are truly stunning though and the camerawork is similarly sumptuous. Scott's direction is uneven dramatically but is very impressive on a technical level, especially in his use of multiple cameras (which must make it easy for actors to know where to look). The soundtrack is also wonderful and beautifully operatic in scope, though not always well placed, but from a standalone point of view there are no complaints here.
Despite the very all over the place accents, with a mix of exaggerated (Leto, to almost cartoonish effect in his case) or barely there (Irons, am a huge fan of Irons but will never deny about accents not being a forte of his), most of the acting is fine. Lady Gaga kills it as Patrizia, who is a very interesting and well fleshed out character here, bringing charm, effortless charisma and menace to her. It has been said that her accent isn't great, as far as the cast goes it's actually the most convincing one along with Salma Hayek's. Adam Driver is a good deal more understated, one of the few in the cast to play it very straight, but he is also compelling and his character growth/decent is believable. They have great chemistry together.
The supporting cast on the whole support them well, Pacino coming off best having a whale of a time as Aldo. Irons brings vulnerability and authority to patriarch Rodolfo and Salma Hayek gives some of her best acting in years. Really liked the chemistry on the whole, Lady Gaga and Driver are great together as are Lady Gaga and Hayek, while that between Irons and Pacino is a joy. 'House of Gucci' does have a few great individual scenes, and one of the best is the magnificent encounter between Irons and Pacino. Personally thought the first half was fine and that it set up the intrigue and characters extremely well. As well as a few funny moments, Rodolfo's verbal brutalising of Paolo was gold and sums up the viewer's opinion of him and his work perfectly.
On the other hand, 'House of Gucci' has a number of shortcomings. One performance didn't work for me and that was Leto. Unrecognisable in much talked about(the talk of social media when advertising was first revealed) makeup that deserves its own film, he overplays his role, especially when the comic relief becomes more dominant, and belongs in a completely different film. Yes the film is very over the top in tone, but Leto's performance veered on excess and too much of a Super Mario Brothers caricature. There are pacing issues, the rather underdeveloped family business stuff drags, sometimes to the point of stalling, due to the lack of tension and gravitas that was not there enough. And other parts come over as very choppy and incomplete feeling, like the final act. The second half needed a tightening up, which would have made the film less overlong (and it is a film that could have been 25 minutes shorter easily).
Also found the ending very rushed and anti-climactic, handled with too much of an indifferent shrug. After spending so long on the family stuff (and not developing that enough) and the increasingly uneasy spurts of comedy, the event that caused such a sensation is just too throwaway in treatment. Tonally, 'House of Gucci' is messy, the comedy going for the campy approach that goes too far into pantomime in the second half and some of the serious moments being too melodramatic. Tonal shifts can be uneasily abrupt.
The script has some funny and intriguing moments, but is on the whole too overwritten in tone (Leto's comedy increasingly gets too much), bland emotionally (the descent into revenge is not examined enough) and also too much of a trying to include as many iconic lines as possible. Some of the line delivery has to be heard to be believed, can imagine right now the amount of reaction gifs online in regard to some of the more comedic lines and Leto's body language.
Concluding, hugely flawed but also quite fun when taking it for what it is. 5.5/10 (was struggling which score of 5 or 6 to give it but decided to go in between and round it up)
- TheLittleSongbird
- 28 nov. 2021
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Détails
Box-office
- Budget
- 75 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 53 809 574 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 14 423 794 $ US
- 28 nov. 2021
- Brut – à l'échelle mondiale
- 153 269 161 $ US
- Durée2 heures 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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