Ajouter une intrigue dans votre langueA celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatr... Tout lireA celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
- Prix
- 1 victoire et 5 nominations au total
Histoire
Le saviez-vous
- AnecdotesAlthough completed in 2008, the film wasn't released until 2015. The reason for the gap was problems with music licensing rights. It took a Kickstarter campaign to raise the $200,000 to clear them.
- GaffesA brief live clip of Jan & Dean performing "Surf City" is misattributed to The Beach Boys.
- Citations
Hal Blaine: [last line of Movie] What do you call a trombone player with a beeper?
Hal Blaine: An optimist.
- ConnexionsFeatures The Adventures of Ozzie and Harriet (1952)
- Bandes originalesGood Vibrations
Written by Brian Wilson and Mike Love
Performed by The Beach Boys
Courtesy of Capitol Records
Under License from EMI Film & Television Music
Dedicated by David Ehrlich
Lest you think this is limited to an obscure genre or style of music, the two dozen (or so) musicians known as The Wrecking Crew were responsible for the album music for such groups and performers as The Beach Boys, Frank Sinatra, The Righteous Brothers, Elvis Presley, The Mamas and the Papas, Sonny and Cher, Sam Cooke, The Byrds, and The Monkees. And we can't leave out Phil Spector's "Wall of Sound" which dominated the charts for years. Director Denny Tedesco set out to make a documentary short about his father, guitarist extraordinaire Tommy Tedesco, but quickly realized the story was much bigger than just his dad.
In addition to the very talented (and funny) Tedesco, we get interviews with such talented musicians as Hal Blaine, Earl Palmer, Don Randi, Al Casey, Pals Johnson (The Pink Panther sax soloist), Carol Kaye, and Bill Pittman. There is also insight from producers Lou Adler and Snuff Garrett, American Bandstand's Dick Clark, songwriter Jimmy Webb, plus icon Herb Alpert. Mickey Dolenz and Peter Tork explain the business rationale in having the professionals take care of the recordings, while Roger McGinnis spills the beans that other members of The Byrds (including David Crosby) were pretty miffed at the process.
The personal importance of telling this story is quite obvious in the work of the director, and is especially clear in the segments featuring his father. In addition to the popular music he was involved with, the senior Tedesco's work is heard in such well-known TV themes as Bonanza, MASH, Batman, and The Twilight Zone plus many movie scores. Archival footage is available for Q&A roundtables and some of the seminar work Tedesco did in the later stages of his career (he passed away in 1997). There is also footage of Phil Spector working in the studio, and some audio from Frank Sinatra as he works on recording, and early Brian Wilson creating the magic of Pet Sounds with the Wrecking Crew.
Glen Campbell and Leon Russell are the two big breakout performers from this group of studio musicians and both speak so highly of these unpublicized artists. Their interviews, and that of Dick Clark, highlight the confusion of timeline in the making of the film. It began making festival rounds in 2008 before running the age old issue of "musical rights" brought distribution to a screeching halt. So now, in 2015, the film is finally getting some theatre time, and with it comes the recognition and appreciation that is long overdue for the members of this very secret club few of whom seem to hold any type of grudge. They were just happy to make a living doing what they love.
This film instantly becomes one of four documentaries highly recommended for those who want to better understand the music biz. Group it with Standing in the Shadows of Motown (2002), Muscle Shoals (2013), and Oscar winner Twenty Feet from Stardom (2013) to form an 8 hour education and history of popular music over the past three generations.
**NOTE: Kent Hartman released a book entitled "The Wrecking Crew" that provides additional detail; however, it is not affiliated with Denny Tedesco's film.
- ferguson-6
- 14 mars 2015
- Lien permanent
Meilleurs choix
- How long is The Wrecking Crew!?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- レッキング・クルー 伝説のミュージシャンたち
- Lieux de tournage
- Palm Springs, Californie, États-Unis(Hal Blaine interview)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 801 606 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 56 858 $ US
- 15 mars 2015
- Brut – à l'échelle mondiale
- 801 606 $ US
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 1.78 : 1