Okay, so for a start I don't like what's apparently the American version of the title, "She's Crushed", as it makes the movie sound lighthearted, which it certainly is not! I think what it went by when they used to show it here in England on the Horror Channel, simply "Crushed", sums it up much better as it's a double meaning, with her being crushed by her perceived rejection, and in return he and all that he holds dear being crushed by her... Natallie Dickinson really did play one of the scariest psychotic women I'd seen in a movie in years. Her character "Tara" is a tortured but quite unsympathetic soul who has a mother who is comatose in a psych ward, and her doctor who you learn is actually her father thanks to one mighty quick scene that's easy to miss, and who also has a relationship with his daughter that's on the sick and perverse side, and her sole mission in life seems to be to find true love with whatever extremely unfortunate guy she happens to choose, even if she has to make them hers alone by obliterating everyone they know and even not unlike a famous real life grisly serial killer, mutilating their craniums to render them drooling zombies that she can make dance like macabre puppets to do it! And the story ends like it begins, with Tara hauling away the sorry remnants of her latest failed 'conquest' in a suitcase, getting away scott-free, which I found scary and interesting because it's like a cycle, only throughout the movie we got to see how the 'process' goes, and the descent into her murderous madness. And despite claims to the contrary there is a sort of weird flashback type deal that offers something of an explanation as to why Tara became such a bloodthirsty freak. And it ends on her spotting the next unfortunate 'love' of her life whom she'll be manipulating into her nightmare and loving to death... What I most enjoy about this picture is seeing a damn fearless actress portraying a big larger than life level of deranged insanity and actually succeeding in sustaining some genuine unhinged menace for the duration of the whole story, and I completely bought it and was very impressed by her because that kind of role is something that's a lot easier for men to act than it is women are just not naturally as threatening, but in my opinion Dickinson accomplished one of these monster-women roles with astonishing gusto, and to me she is the only real highlight and saving grace of this movie and she alone makes it engaging and above-average. Of course you've gotta take her physical appearance into account to.. She was kind of pretty, but she looked a complete neurotic witch, all bony angles and mean sharp facial features. It helped! And this was not just a cute little kooky kind of crazy we're talking here - it was great big nasty roll-it-up-to-your-car crazy!!! And the actor who played the object of her devotion, "Ray", was alright and I did feel terribly sorry for the guy and the hell that he's put through, but he also seemed a bit miscast and out of place, and he had a heavy German-sounding accent that was distracting. I did like the lively dude who played his horny and obnoxious workmate though, he was funny and brought a little much needed levity. I consider this a good horror movie because it really is hellishly disturbing and points, namely the demented centerpiece of the story, when Ray's poor pregnant girlfriend is butchered in an uncomfortably prolonged sequence that the first time I saw it, it left my emotions raw because you really feel the horror and tragedy of the character's death and you keep hoping that something, anything will happen that'll allow her and Ray to live! It's a frightfully ruthless cautionary tale that will go to just about any lengths to shock and absolutely pulls no punches when it comes to who will live or die, and it doesn't play by the conventional rules of slashers either, with no happy medium ending being allowed, and in this instance I took that as a plus. I'd cautiously recommend Crushed, while I'll admit that it does greatly lack in many areas, does have a cheap feel, and anyone looking for something more than a plain, no-frills bloodbath will probably be left wanting, but to me its a perfectly watchable and entertaining straight-up horror thriller which carries no pretensions beyond being a gripping if mindless time-burner, and in the horror department it doesn't fail and is grim and nasty enough to give anyone a run for their money. Take care and beware of deadly Venus-mantrap psycho harpy women!
