OK. I've tried to finish this exercise in audience alienation twice. First I stopped after half an hour of watching admittedly realistic, if over-familiar and desultory, dialog, and trying to stay interested in people I only half-saw, or saw from a distance, or from the back of their heads, all going through what looked very much like what innumerable prep school students go through regularly. Having decided there really wasn't a point to this, I came here and discovered... there is a Major Dramatic Event in the movie! Somewhere. So I put in the DVD again and watched for about ten minutes past said Major Dramatic Event. Only to find more perfectly believable, probably emotionally rich, scenes shown at a numbing distance and presented at a tortuously slow pace. Yes, this film is like "Elephant" - and a number of other punishingly self-indulgent Gus Van Sant films. Not to mention various low-budget French films I saw in Paris in the Eighties (I mainly remember long shots of people walking down hallways, the echo of their footsteps the only soundtrack). This is, in other words, a parody of many people's worst fantasy of an independent film. It's not exaggerated to say I got to the point where I was actually resenting the film's abuse of my (not overly available) time. As for being "innovative".... if you loved "Last Year at Mariendbad" (1961), this kind of film-making will be right up your alley.
