The American

"Black Swan" was the definitive story of a ballerina spiralling into madness under the prolonged pressures of competition, physical wear and injury, and emotional insecurity. While Joy Womack narrowly avoids total destruction, "The American" just adds the cultural and political stressors without differentiating the styles of training and ballet between Russian and American schools. That would have been more telling than the unrelenting scenes of Joy Wormack's furrowed brow, tears and smeared mascara. Diane Kruger rescued this otherwise tedious litany with her portrayal of a tough taskmaster but the male dancer Womack marries (Nik) provides the only emotional relief and humanity in this maudlin tale.